All prices of decorative prints in this section are in Pounds Sterling and include British Sales Tax/VAT at 17.5%, which is automatically refunded for all exports outside the European Union, or to dealers inside the European Union providing a valid VAT-Registration number.
Payment may be made by credit card (all major cards accepted) or by cheque/banktransfer in Pound Sterling, EURO or US-Dollar.
We guarantee all items to be genuine, in good condition and returnable within seven days for a full refund (excl. postage) if not satisfactory for whatever reason. Measurements are given for images only (not paper size or plate mark) in centimetres, height first by width, excluding margins.

-  Images can be supplied on request  -

Decorative Antique Prints  £50 - £85

( Most items £90 or more are listed on our separate page  of  Decorative Prints )

ACTOR:
1700. Vanity Fair. 'OTHELLO'. Signor Tommaso Salvini. Famous actor. In costume. By Ape. Born in Malta. Went to Naples Italy at 15. Served as a soldier in 1849. 1857 went to Paris, then South America, then London. Vincent Day Brooks & Sons 1875 [24275] Chromolithograph, 33 x 19 cm. £60

ACTOR:
1701. Vanity Fair. 'AMATEUR THEATRICALS'. Mr Herbert Gardner, SPY. MP for Saffron Walden. Educated Harrow and Cambridge. Hobbies: Rowing, Theatre, Music. Vincent Day Brooks & Sons 1876 [24279] Chromolithograph, 33 x 19 cm. £60

ACTOR:
1702. Vanity Fair. TOOLE, Mr John Laurence: Spy. 'A Spelling Bee'. Comedian. Coloured. Began selling wines. Became a professional actor. Travelled to USA. Vincent Day Brooks & Sons 1876 [24281] Chromolithograph, 33 x 19 cm. £60

ACTOR:
1703. Vanity Fair. HAWTREY, Mr Charles. 'From Eton to the Stage'. Actor-manager. Educated Eton. Oxford. A debonair figure in white tie and tails. Buttonhole. Vincent Day Brooks & Sons 1892 [24280] Chromolithograph, 33 x 19 cm. £60

ACTOR:
1704. Vanity Fair. 'AUBREY TANQUERAY'. Mr George Alexander. Acted with Henry Irving and other famous actors and actresses of the day. Born 1859. Son of a mill owner from Scotland. Shown seated holding a book. Vincent Day Brooks & Sons 1894 [24278] Chromolithograph, 33 x 19 cm. £60

ACTOR:
1705. Vanity Fair. COQUELIN, M. Benoit Constant. Famous actor at Comedie Francaise. 'Coquelin Aine'. Born Boulogne 1841. His father was a baker. His acting success enabled him to tour the world. Vincent Day Brooks & Sons 1898 [24284] Chromolithograph, 33 x 19 cm. £60

ACTOR-MANAGER:
1706. Vanity Fair. BOURCHIER, Mr Arthur. 'A. B. '. Actor/manager. Joined Mrs Langtry's Co. Born 1864. Educated Eton. Oxford. Wearing white tie and tails with an orchid. Vincent Day Brooks & Sons 1896 [24286] Chromolithograph, 33 x 19 cm. £60

ACTOR-MANAGER:
1707. Vanity Fair. 'SQUIRREL'. Mr Cyril Francis Maude. Actor-manager. Haymarket Theatre. Born 1863. Traced his ancestry back to William Rufus. First appeared on the stage in Denver USA Vincent Day Brooks & Sons 1897 [24277] Chromolithograph, 33 x 19 cm. £60

AGRICULTURAL SURVEY:
1709. H.Kains - Jackson. ‘THE GRAPHIC AGRICULTURAL SURVEY OF THE WORLD’. A most informative and detailed engraving with illustrated tables of the Wheat Harvest, Areas and production, Analysis of five years Wheat and Flour imports, Statistics of Livestock, Production of Potatoes, Hops, Vines etc. The Graphic 1881 [25365] Tinted wood engraving, 55 x 36 cm. £60

AGRICULTURE:
1710. Blome, Richard & Cox, Nicholas. ‘AGRICULTURE OR HUSBANDRY’. Attractive illustration from ‘The Gentlemans Recreation. London 1686 [24777] Copper engraving, 38 x 24 cm. £75

ARCHERY:
1711. Nicholson, W. N. P. ‘LE TIR A L’ARC’. French edition of an archery print by William Newzam Prior Nicholson 1898 [24503] Full coloured tinted woodcut with title, 24 x 20 cm. £75

ARTIST:
1712. Vanity Fair. ''THE MODERN WIERTZ'. M. Jan Van Beers. An artist and caricaturist. Born Pierre 1856. Son of a Flemish poet. Depicted helping a lady from the background of the Cartoon. Vincent Day Brooks & Sons 1891 [24276] Chromolithograph, 33 x 19 cm. £60

ATHLETICS:
1713. The Graphic. ‘THE FINISH OF THE MILE RACE - A DEAD HEAT’. The Graphic 1879 [24811] Hand coloured wood engraving, 30 x 50 cm. £85

AUTHOR-MANAGER:
1714. Vanity Fair. JONES, Mr Henry Arthur. 'Author-Manager'. Playwright. In hunting clothes. Born Granborough Bucks 1851. Son of a farmer. Self taught. Vincent Day Brooks & Sons 1892 [24285] Chromolithograph, 33 x 19 cm. £60

BACKGAMMON:
1715. Honthorst, G. / Brennhaeuser. ‘A merry Party / Eine lustige Gesellschaft’. Backgammon players. A. H. Payne ca. 1850 [24486] 12  x 16 cm. Uncoloured steel engraving. £50

BAKER:
1717. Weigel, Ch. ‘DER BACKER’. The Baker. Christoph Weigel ca. 1699 [24396] Copper Engraving, 8 x 9 cm, with added text on page (13 x 8 cm). £75

BALLET:
1718. Heath, Charles. ‘CARLOTTA GRISI as LA GISELLE’. David Bogue, London 1845 [24358] Uncoloured steel engraving with decorative border from the ‘Beauties of the Opera & Ballet’ edited by Charles Heath. 22 x 16 cm. £60

BALLET:
1719. Heath, Charles. ‘FANNY ELSSLER as FLORINDE’. David Bogue, London 1845 [24359] Uncoloured steel engraving with decorative border from the ‘Beauties of the Opera & Ballet’ edited by Charles Heath. 22 x 16 cm. £60

BALLET:
1720. Heath, Charles. ‘CERITO as ONDINE’. David Bogue, London 1845 [24360] Uncoloured steel engraving with decorative border from the ‘Beauties of the Opera & Ballet’ edited by Charles Heath. 22 x 16 cm. £50

BALLET:
1721. Heath, Charles. ‘TAGLIONI as LA SYLPHIDE’. David Bogue, London 1845 [24361] Uncoloured steel engraving with decorative border from the ‘Beauties of the Opera & Ballet’ edited by Charles Heath. 22 x 16 cm. £60

BALLOONING:
1722. Leloir, M. ‘THE “CAPTIVE” AS IT WAS: THE FIRST GAS-BALLOON, 1787’. From the picture by Maurice Leloir. Published by Maison Devambez 1912 [24499] Full colour print, 31 x 23 cm. £60

BALLOONING:
1723. Anon. ‘LA FRANCE, BALLON DIRIGEABLE’. A view in 1884 in the ‘Parc Militaire de Chalais’ just at the moment when ‘Commandant Renard’ and Capitaine Krebs made their first flight. L’Album des Sports ca. 1912 [24500] Full colour print, (with some text in French), 33 x 21 cm. £80

BANQUET:
1724. Anon. ‘A VIEW OF THE INSIDE OF THE GUILDHALL AS IT APPEAR’D ON LORD MAYORS DAY 1761’. A banquet scene. Gentlemen’s Magazine c, 1761 [23989] Uncoloured copper engraving, 18 x 23 cm. £60

BARREL MAKER:
1725. Weigel, Ch. ‘DER FASSBINDER’. The Barrel Maker. Christoph Weigel ca. 1699 [24385] Copper Engraving, 8 x 9 cm, with added text on page (13 x 8 cm). £50

BASEBALL:
1726. Anon. ‘THE AMERICANS PLAYING BASE-BALL AT PRINCE’S GROUND’. Illustrated London News 1874 [20808] 24 x 34 cm. Recent hand colouring. £75

BEAD MAKER:
1727. Weigel, Ch. ‘DER BASESTEINMACHER’. The Beadmaker. Christoph Weigel ca. 1699 [24414] Copper engraving, 8 x 9 cm, with added text on page (13 x 8 cm). £50

BEDDING:
1728. Anon. ‘THE ENGLISH MODERN COMPANY’ 30, Rue Digue de Brabant, 30 Gand. A french of Belgian advert for English Beds. Anon ca. 1890 [24796] Coloured wood engraving, 40 x 50 cm. £75

BEDMAKER:
1729. Weigel, Ch. ‘DER RIEMER’. The Bed Maker. Christoph Weigel ca. 1699 [24413] Copper Engraving, 8 x 9 cm, with added text on page (13 x 8 cm). £50

BOTANICAL:
1730. Pintz, I.G. ‘SCULPTORAE COLOCYNTHIDUM ET FLORUM’. A sculptured collage of flowers and mushrooms in a decorative border. I. G. Pintz, ca. 1700 [24208] Recently coloured copper plate engraving, 30 x 21 cm. £75

BOTANICAL:
1731. Anon. Decorative scene from Biblical Times showing grape gatherers with an enourmous Bunch of Grapes and a branch of Pomegranates, in an ornate border. Anon, ca. 1750 [24207] Recently coloured copper engraving, 34 x 22 cm. £75

BRUSH MAKER:
1732. Weigel, Ch. ‘DER BURSTEN-BINDER’ The Brushmaker. Christoph Weigel ca. 1699 [24389] Copper Engraving, 8 x 9 cm, with added text on page (13 x 8 cm). £50

BUFFALO:
1733.  Schley, J.V. ‘BUFFEL’. Imposing engraving of a Buffalo. Prevost, c 1750 [24365] Uncoloured copper engraving, 19 x 28 cm. £75

BUSINESS & FINANCE:
1734. Anonymous. ‘KERBSTONE STOCKBROKERS IN NEW YORK’. Outside stockbrokers in Wall Street in the New York Financial District. Wood engraving, published in London 1864 [20813] 24 x 35 cm. Recent hand colouring. £75

BUSINESS & FINANCE:
1735. Brown, J. R. ‘OUR ARTIST IN THE UNITED STATES - WALL STREET, NEW YORK’. View of Wall Street, surrounded by character studies. Wood engraving, published in London 1877 [20810] 23 x 30 cm. Recent hand colouring. £60 J. R. Brown, British illustrator (fl. 1872-1890).

BUTCHER:
1736. Weigel, Ch. ‘DER FLEISCHER’. The Butcher. Christoph Weigel ca. 1699 [24395] Copper Engraving, 8 x 9 cm, with added text on page (13 x 8 cm). £75

CATS:
1737. Ronner, H. ‘A DISAGREEMENT UPON A POINT OF ART’. Two kittens playfully fighting on top of an upturned picture, paint brush in mouth, paint tubes scattered around. For The Graphic Christmas Edition by Henriette Ronner 1891 [24488] Chromolithograph, 31 x 41 cm. Excellent condition. £85

CELLIST:
1738. Vanity Fair. ‘A WANDERING MINSTREL’. Lord Gerald Fitz Gerald. Vincent Day Brooks & Sons 1883 [24262] Chromolithograph, 33 x 19 cm. £60

CELLIST:
1739. Vanity Fair. ‘A GREAT CELLIST’. JOSEPH HOLLMAN. Vincent Day Brooks & Sons 1897 [24252] Chromolithograph, 33 x 19 cm. £60

CHEESE:
1740. De Haenen. ‘THE CHEESE MARKET AT ALKMAAR’. The centre of the cheese trade in Holland is the ancient town of Alkmaar, on the North Holland Canal, where, every Friday, the market-place is literally covered with piles of red and yellow cheeses, the latter designed for home consumption and the former for export, chiefly to England. The cheeses are stacked in the marketplace, and when sold are carried by picturesquely clad porters to the weighing scales and thence to the barges. The Graphic 1910 [24212] Original colour print, drawn by F. De Haenen, 24 x 32 cm. £65

CHEMISTRY:
1741. Anon. ‘THE CHEMIST’. Scene in a Chemists shop/laboratory, engraved by A.H.Payne, after a picture by Teniers. Dresden Gallery ca. 1850 [24817] Uncoloured steel engraving, 13 x 17 cm. £85

CHEMISTRY:
1742. Winkles, Henry. (Untitled). SCENE IN A CHEMICAL LABORATORY. Drawn by G.Heck and engraved by Henry Winkles. Central scene in the laboratory surrounded by many small engravings of equipment. German publication ca 1860 [24815] Uncoloured steel engraving, 20 x 25 cm. £75

CHESS:
1743. Bogle, L. ‘AFTER LUNCH IN THE CITY - A GAME OF CHESS’. Wood engraving by Lockhart Bogle 1891 [20805] 23 x 30 cm. Recent hand colouring. £75

CHRISTMAS CARDS:
1744. Staniland, C.J. ‘CHRISTMAS CARDS’ from drawings by C.J.Staniland. Nine designs for Christmas cards, depicting children playing, or in fancy dress. Leighton Bros 1882 [24011] Printed in full bright colour. 33 x 23 cm. Each card design is 11 x 7.5 cm. £60

CHRISTMAS CARDS:
1745. Staniland, C.J. ‘CHRISTMAS CARDS’ from drawings by Pollie Clarke. Nine flower designs for Christmas cards. Leighton Bros 1883 [24014] Printed in full bright colour. 33 x 23 cm. Each card design is 11 x 7.5 cm. £60

CHRONOLOGY:
1746. Blome, Richard & Cox, Nicholas. ‘HISTORY AND CHRONOLOGY’. Attractive illustration from ‘The Gentlemans Recreation. London 1686 [24772] Copper engraving, 38 x 24 cm. £75

CLOTH MANUFACTURER:
1747. Weigel, Ch. ‘DER TUCHSCHERER’. The Cloth Manufacturer. Christoph Weigel ca. 1699 [24398] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £50

COACHING:
1748. Sturgess, J. ‘On the road to the Derby’. Chromolithograph by Leighton, Bros from a painting by John Sturgess 1880 [19671] 32 x 50 cm. £60

COACHING:
1749. Sturgess, J. ‘Celebrated Teams in the Park’. A set of two single page and one double page scenes of coaching. Chromolithograph by Leighton Bros from a drawing by John Sturgess 1887 [19675] Single pages 36 x 24 cm, double page 36 x 50 cm. £70

COCOA:
1750. Packham, A. F. ‘A COCOA ORCHARD IN WEST AFRICA’. Showing gathering and preparing the cocoa shells. Chromolithograph by Alex F. Packham ca. 1930 [20302] 38 x 48 cm. £70

COMB MAKER:
1751. Weigel, Ch. ‘DER KAMMMACHER’ The Comb Maker. Christoph Weigel ca. 1699 [24399] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £50

COMPOSER:
1752. Universal Magazine. ‘JOHN BAPTIST LULLY’. Head and shoulders portrait. J. Hinton ca. 1775 [24757] Uncoloured copper engraving, 16 x 10 cm. £50

COMPOSER:
1753. Universal Magazine. ‘HENRY PURCELL’. Head and shoulders portrait. J.Hinton ca. 1777 [24756] Uncoloured copper engraving, 14 x 9 cm. £50

COMPOSER:
1754. Boilly, J. ‘CHERUBINI’. Head & shoulders portrait by Jules Boilly. Institute Royal de France 1820 [24736] Uncoloured lithograph, 16 x 16 cm, with descriptive text beneath portrait. £75

COMPOSER:

1755. Anonymous. ‘ROSSINI’. Head & shoulders portrait, down to the waist. Anonymous 1840 [24725] Uncoloured steel engraving, 14 x 14 cm. £75

COMPOSER:
1756. Aubert. ‘GIACOMO MEYERBEER’. Head and shoulders portrait as far as the waist. Aubert et Co ca. 1840 [24747] Uncoloured lithograph, 19 x 14 cm. £60

COMPOSER:
1757. Aubert. ‘DONIZETTI’ Head and shoulders portrait, engraved by Aubert. Galerie de la Presse ca. 1840 [24750] Uncoloured steel engraving with large border, 15.5 x 14 cm. £60

COMPOSER:
1758. Weger. ‘DOMENIKO SCARLATTI’. Head and shoulders portrait. Anon ca 1840 [24758] Uncoloured steel engraving, 14 x 11 cm. £60

COMPOSER:
1759. Aubert. ‘CHERUBINI’. Head and shoulders portrait by Aubert. Aubert & Co ca. 1840 [24759] Uncoloured lithograph, 19 x 14 cm. £50

COMPOSER:

1760. Aubert. ‘ROSSINI’. Head & shoulders portrait, down to the waist. Paris ca. 1850 [24726] Uncoloured lithograph, 18 x 14 cm. £75

COMPOSER:
1761. Storck. ‘BEETHOVEN’. Three quarter length portrait surrounded by decorative border, engraved by A.H. Payne. Brain & Payne, London ca. 1850 [24744] Uncoloured steel engraving, 17 x 15 cm. £55

COMPOSER:
1762. Carjol. ‘HALEVY’. Head and shoulders portrait of the composer. Lemercier, Paris ca. 1870 [24738] Uncoloured lithograph, 25 x 20 cm. £50

COMPOSER:
1763. Gainsborough, Thomas. ‘JOHANN CHRISTIAN FISCHER, THE COMPOSER’. Full length portrait of the composer leaning on the piano, engraved by G.H.Every after the painting by Thomas Gainsborough. He was born in Freiburg, Germany and also played the Oboe. Henry Graves & Company 1871 [24737] Sepia Mezzotint, 19 x 12.5 cm. £60

COMPOSER:

1764. Anon. ‘ROSSINI’ Head Full length portrait. Illustrated Sporting & Dramatic News 1877 [24729] Uncoloured wood engraving. 25 x 17 cm. £60

COMPOSER:
1765. Goldberg, G. ‘GLUCK’. Head and Shoulder portrait of the composer ‘Christoph Willibald Gluck’. Jaeger/Goldberg 1878 [24009] Uncoloured etching, 18 x 13 cm. £60

COMPOSER:
1766. Andorff, F.A. ‘HAYDN’. Head and Shoulder portrait of the composer ‘Joseph Haydn’. Jaeger/Goldberg 1878 [24010] Uncoloured etching, 18 x 13 cm. £60

COMPOSER:
1767. Manlastropa. ‘G. VERDI’. Full length portrait. Anon ca. 1880 [24753] Uncoloured wood engraving, 21 x 12 cm. £50

COMPOSER:
1768. Winterhalter. ‘FRIEDRICH CHOPIN’. Head and shoulders portrait from a drawing by Winterhalter. Anon ca. 1880 [24766] Uncoloured wood engraving, 17 x 13 cm. £50

COMPOSER:
1769. Vanity Fair. ‘THE ABBE’. Franz Liszt. Vincent Day Brooks & Sons 1886 [24266] Chromolithograph, 33 x 19 cm. £60

COMPOSER:
1770. Kaulbach, H. ‘MOZART’S LAST MOMENTS’. A scene in Mozart’s house: Mozart listening to his friends, who, summoned by his wife, are singing the ‘Requiem’, the last work the composer wrote, and which he never heard till the hour of his death. The Graphic 1891 [24732] Uncoloured steel engraving by Meisenbach, 11 x 8 cm. £50

COMPOSER:
1771. Vanity Fair. ‘CAVALLERIA RUSTICANA’. Pietro Mascagni. Vincent Day Brooks & Sons 1893 [24261] Chromolithograph, 33 x 19 cm. £60

COMPOSER:
1772. Vanity Fair. ‘THE INTERMEZZO’. Pietro Mascagni. Vincent Day Brooks & Sons 1912 [24265] Chromolithograph, 33 x 19 cm. £60

CONDUCTOR;
1773. Vanity Fair. ‘SWEET SOUNDS’. Sir Julius Benedick. Vincent Day Brooks & Sons 1873 [24260] Chromolithograph, 33 x 19 cm. £60

CONDUCTOR:
1774. Vanity Fair. ‘IL BACIO’. Luigi Arditi, conductor. Vincent Day Brooks & Sons 1885 [24255] Chromolithograph, 33 x 19 cm. £60

CONDUCTOR:
1775. Vanity Fair. ‘ALBERT HALL’. Sir Joseph Barnby, conductor. Vincent Day Brooks & Sons 1894 [24258] Chromolithograph, 33 x 19 cm. £60

CONDUCTOR:
1776. Vanity Fair. ‘CRYSTAL PALACE’. Mr August Manns. Shown conducting, baton in hand. Born in Stolzenburg Prussia 1825. Conducted the Handel festival at the Crystal Palace for 40 years. Vincent Day Brooks & Sons 1895 [24263] Chromolithograph, 33 x 19 cm. £60

CONDUCTOR:
1777. Vanity Fair. ‘WAGNERIAN OPERA’. Dr Carl Muck. Vincent Day Brooks & Sons 1899 [24253] Chromolithograph, 33 x 19 cm. £60

CONDUCTOR:
1778. Vanity Fair. ‘QUEEN’S HALL’. Full length portrait of Sir Henry Wood conducting. Founder of the ‘Promenade Concert’ series originally in the Queen’s Hall, now at the Royal Albert Hall. Benrose Dalziel Ltd c 1920 [23999] Chromolithograph, 33 x 20 cm. £60

CRICKET:
1779. Anon. The Australian cricketers at Kennington Oval. Double page with two scenes: The Match & The Finish. Uncoloured wood engraving, published in London 1880 [16774] 35 x 46 cm. £75

CRICKET:
1780. Anon. The Cricket match, Australia v. England, at the Kennington Oval. Uncoloured wood engraving. London 1882 [16775] 31 x 45 cm. £75

CRICKET:
1781. Anon. The Australian Cricketers. Portrait scene. Uncoloured wood engraving. London 1882 [16776] 31 x 44 cm. £50

CRICKET:
1782. Davis, L. Lady Cricketers: A good catch. Nice double page scene on the cricket field. Uncoloured wood engraving by Lucien Davies after R.Taylor. London 1889 [16778] 31 x 48 cm. £50

CRICKET:
1783. Davis, L. The English Lady Cricketers: Miss Stanley batting. Uncoloured wood engraving by Lucien Davis. London 1890 [16777] 31 x 44 cm. £50

CRICKET:
1784. Anon. ‘SOME REPRESENTATIVE CRICKETERS’. Double page with 24 portraits of cricketers of the time. Anonymous ca. 1890 [16781] 38 x 58 cm. Uncoloured. £65

CROCODILE:
1785.  Schley, J.V. ‘JEUNE CROCODILE DESSINE VIVRANT A LONDRES AU MOIS D’OCTOBRE 1739’. Young Crocodile bound for London in October 1739.
Coastal scene in the background. In addition are three smaller engravings depicting fish etc. Prevost, c 1750 [24366] Uncoloured copper engraving, 19 x 28 cm. £75

DINING:
1786. Cruikshank. ‘UN TABLE D’HOTE’. A rather uncouth group of Gentlemen dining. Allen & West 1796 [24210] Original coloured copper engraving, 15 x 22 cm. £75

DODO:
1787. EDWARDS, Syd. ‘ORNITHOLOGY’. Group of two ostriches and one dodo. London, Longman Hurst 1805 [21487] 26 x 20 cm. Uncoloured. Occasional slight spotting. £75

ELEPHANT:
1788. Heywood Hardy. ‘A SUMMER HOLIDAY’. Delightful picture of an Elephant about to take children for a ride in the park. From the picture by Heywood Hardy. The Graphic 1883 [24016] From ‘The Graphic’ exhibition of Animal paintings. Printed in colour. 30 x 23 cm. £60

EMBROIDERER:
1789. Weigel, Ch. ‘DER SEIDENSTRICKER’. The Embroiderer. Christoph Weigel ca. 1699 [24391] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £50

ENGRAVER:
1790. Weigel, Ch. ‘DER KUPFERSTECHER’. The Engraver. Christoph Weigel ca. 1699 [24392] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £75

ENTERTAINER:
1791. Vanity Fair. ‘COTILLON’.‘AUGUSTUS SAVILLE LUMLEY’. Became soldier. After the Crimean War went to Antwerp Belgium to develop his taste for art. Tried working in finance. Became an artist. A great entertainer. In white tie and tails. Vincent Day Brooks & Sons 1874 [24274] Chromolithograph, 33 x 19 cm. £60

EVANGELIST:
1792. Vanity Fair. ‘PRAISE & PRAYER’. Ira D. Sankey. Evangelist. By Ape. Met L. Moody in Indianapolis. Sang at his meetings. Vincent Day Brooks & Sons 1875 [24270] Chromolithograph, 33 x 19 cm. £60

EVANGELIST:
1793. Vanity Fair. ‘PRAYER & PRAISE’. Preacher. D. L. Moody. Evangelist. Began on a farm. Sunday school teacher in Boston. Went to Chicago running a boot and shoe shop. Vincent Day Brooks & Sons 1875 [24271] Chromolithograph, 33 x 19 cm. £60

FENCING:
1794. Jackson, H. P. ‘A SCHOOL OF ARMS’. Superb illustration of a Fencing Class. Illustrated London News 1890 [10407] Recently hand-coloured wood engraving, 22 x 32 cm. £75

FENCING:
1795. Renouard, Paul. “WHITECHAPEL WAY” - A Fencing Class at the People's Palace - a Bout with the Foils.
The Graphic 1891 [10412] Recently hand-coloured wood engraving, 21 x 30 cm. £70 *

FENCING:
1796. Macquoid, P. ‘TYPES OF OLD SWORDSMANSHIP: THE SWORD AND DAGGER DUEL’. The Graphic 1894 [10422] Recently hand-coloured wood engraving, 22 x 30 cm. £70 *

FENCING:
1797. Macquoid, P. ‘TYPES OF SWORDMANSHIP: THE DAGGER AND CLOAK DUEL’. The Graphic 1894 [10424] Recently hand-coloured wood engraving, 22.5 x 30 cm. £70 *

FENCING:
1798. Macquoid, P. ‘THE INTERNATIONAL FENCING DISPLAY AT THE PORTMAN ROOMS’. Four fencing scenes on one sheet, incl. 5 small inset oval portraits. Percy Macquoid 1899 [20804] 25 x 30 cm. Recent hand colouring. £75 Percy Macquoid (1852-1925), British painter and illustrator for books.

FOOTBALL:
1799. Rousseau, H. ‘THE FOOTBALL PLAYERS’. Four players in a rather posed illustration of Rugby Football. After Henry Rousseau ca. 1939 [24496] 25 x 20cms. £85 Colour print after the original by Henry Rousseau of 1908.

FORTIFICATION:
1800. Blome, Richard & Cox, Nicholas. ‘FORTIFICATION’. Attractive illustration from ‘The Gentlemans Recreation. London 1686 [24774] Copper engraving, 38 x 24 cm. £75

FRANCE & GERMANY:
1801. G.Durand. ‘RELATIVE WAR STRENGH OF FRANCE AND GERMANY’. Of the whole population of the Army & Navy on a Peace footing. Detailed tables of Population, Military and Naval expenditure, Infantry, Cavalry, Engineers, Number of Horses registered for military service! etc. German soldier on the left and French soldier on the right. The Graphic 1887 [25366] £50

GENERAL GORDON:
1802. Caton Woodville, R.. ‘GORDON’S WARFARE ON THE NILE’. Double page engraving depicting a ‘skirmish’ on the banks of the Nile. Illustrated London News ca. 1884 [25360] Uncoloured wood engraving, 51 x 34 cm. £60

GENERAL GORDON:
1803. Taylor, R. ‘GENERAL GORDON, THE HEROIC DEFENDER OF KHARTOUM’. Head and shoulder portrait in uniform. Illustrated London News Supplement 1885 [25363] Uncoloured wood engraving, 27 x 26 cm. £60

GEOMETRY:
1804. Blome, Richard & Cox, Nicholas. ‘GEOMETRY’. Attractive illustration from ‘The Gentlemans Recreation. (with accompanying 12 pages (24 sides) of text. London 1686 [24776] Copper engraving, 38 x 24 cm. £75

GILBERT & SULLIVAN:
1805. Furniss, H. ‘SKETCHES FROM “PATIENCE” AT THE OPERA COMIQUE’. Various illustrations of Patience, Bunthorne, Lady Jane, Love Sick Maidens & Military Men. London, 1881 [23955] Wood engraving, 30 x 22 cm. Recently hand-coloured. £70

GILBERT & SULLIVAN:
1806. Anon. ‘IOLANTHE AT THE SAVOY THEATRE’. Central scene of ‘Fairy invasion of the Palace Yard!’ with smaller vingettes of the Lord Chancellor (George Grossmith); Strephon,(Mr R Temple); Leila, (Miss Julie Gwynne); Private Willis,(Mr Manners); Iolanthe,(Miss Jessie Bond); Phyllis,(Miss Braham) and Lords of the Realm.. London, 1882 [23958] Wood engraving, 32 x 23 cm. Recently hand-coloured. £75

GILBERT & SULLIVAN:
1807. Ludlow, H. ‘PRINCESS IDA AT THE SAVOY THEATRE’. London, 1884 [23957] Wood engraving, 32 x 23 cm. Recently hand-coloured. £70

GILBERT & SULLIVAN:
1808. Forestier, A. ‘SKETCHES FROM “RUDDYGORE” THE NEW COMIC OPERA AT THE SAVOY’. Two scenes & many small costume illustrations. London, 1887 [23954] Wood engraving, 33 x 24 cm. Recently hand-coloured. £70

GILBERT & SULLIVAN:
1809. Taylor, R. ‘SKETCHES FROM “THE GONDOLIERS” AT THE SAVOY THEATRE’. Various scenes from the Opera. London, 1889 [23959] Wood engraving, 32 x 23 cm. Recently hand-coloured. £75

GILBERT & SULLIVAN:
1810. Salmon,B. ‘THE YEOMEN OF THE GUARD’. After nine years: the revival. Drawn by Balliol Salmon. Central scene at the Tower of London with Phoebe, her Father and the Jailor, surrounded by small vignettes of the main characters. London, 1906 [23960] Wood engraving, 32 x 23 cm. Recently hand-coloured. £70

GOLF:
1811. GOLF. ‘The Westwood Ho ladies’ golf club at Bideford, Devon’. Illustrated London News 1873 [16804] Uncoloured wood engraving. 22 x 30 cm s. £50

GOLF:
1812. GOLF. ‘THE WESTWARD HO! LADIES GOLF CLUB AT BIDEFORD, DEVON’. London 1873 [20803] Wood engraving. 22 x 30 cms. Recent hand colouring. £80 Frederick Gilbert (fl. 1862-1877), British painter, watercolourist and illustrator.

GOLF:
1813. GOLF. ‘Golf at Westwood Ho’ Four humourous scenes on one page. Illustrated London News 1874 [16806] Uncoloured wood engraving. 32 x 23 cms. £50

GOLF:
1814. GOLF. ‘Golf at Westwood Ho’ Four humourous scenes on one page. The Graphic 1874 [22904] 32 x 23 cm. Wood engraving. Recently hand-coloured. £70

GOLF:
1815. GOLF. ‘The Royal and Ancient Game of Golf ’ Six scenes on one page. Illustrated London News 1877 [16807] Uncoloured wood engraving by Harral after Gilbert. 30 x 23 cms. £50

GOLF:
1816. GOLF. ‘Notes at a golf match’ 10 humourous sketches on one page. Illustrated London News 1881 [16856] Uncoloured wood engraving. 34 x 24 cms. £50

GOLF:
1817. The Graphic. ‘Notes at a golf match’ 10 humourous sketches on one page. The Graphic 1881 [22905] 34 x 24 cm. Recently handcoloured. £70

GOLF:
1818. GOLF. The St Andrews Ladies Golf Club. Eight scenes from the famous Scottish club. Illustrated London News 1889 [16860] Uncoloured wood engraving by Robinson. 33 x 22 cms. £50

GOLF:
1819. Robinson, T. ‘THE ST. ANDREWS LADIES GOLF CLUB’. Eight scenes from the famous Scottish club. Illustrated London News 1889 [22902] Wood engraving by Robinson, 33 x 22 cm. Recently hand-coloured. £85

GOLF:
1820. GOLF. ‘GOLFING’. Half of the page has a picture showing an injured caddie and golfer being attended to by a scottish friend. The other half contains a humourous six verse poem describing the circumstances. Anonymous c. 1890 [22933] Black and red outline engraving, 30 x 20cms. £70

GOLF:
1821. GOLF. ‘TOMMY THE GOLFER’. Five comic scenes: Young man teaching a lady to play golf in her garden. She manages to destroy the flower bed and break a pane of glass in the greenhouse.! Illustrated Sporting & Dramatic News 1892 [22964] Uncoloured wood engraving, 34 x 24 cm. £50

GOLF:
1822. GOLF. ‘AMATEUR GOLF CHAMPIONSHIP AT SANDWICH’. Scenes showing Mr Ball & Mr Hilton playing the course. Illustrated Sporting & Dramatic News c. 1892 [22968] Uncoloured wood engraving, 17 x 23 cm. £50

GOLF:
1823. GOLF. ‘GOLF UNDER DIFFICULTIES ON INDIA LINKS’. Six scenes of golfers being interupted by wild animals! The Graphic 1893 [22928] Original coloured print, 32 x 24 cm. £70

GOLF:
1824. GOLF. ‘A New Golfing Ground: Pencillings from Portrush, North Coast of Ireland’. Six scenes on the golf links. 1894 [16863] Wood engraving, 33 x 24 cms. £50

GOLF:
1825. GOLF. ‘Mr Balfour as Captain of the Royal and Ancient Golf Club at St Andrews. The Graphic 1894 [16864] Uncoloured wood engraving, 20 x 15 cm. £50

GOLF:
1826. GOLF. ‘A New Golfing Ground: Pencillings from Portrush, North Coast of Ireland’. Six scenes on the golf links. 1894 [23924] Hand-Coloured Wood engraving, 33 x 24 cms. £60

GOLF:
1827. GOLF. ‘Ladies Golf Championship in Portrush, Ireland. Illustrated London News 1895 [16865] Uncoloured wood engraving, 32 x 21 cm. Four scenes on one full page. £50

GOLF:
1828. GOLF. ‘IS GOLF WORTH PLAYING’. Humourous scenes on the golf course. Illustrated London News 1895 [22926] Hand coloured wood engraving, 28 x 20 cm. £50

GOLF:
1829. GOLF. ‘NORTH v. SOUTH’. Series of comic scenes on one page showing dogs playing and fighting over golf. Illustrated Sporting & Dramatic News 1895 [22963] Uncoloured wood engraving, 34 x 24 cm. £50

GOLF:
1830. GOLF. Advertisement: ‘CADBURY’S COCOA’. Old lady is serving up Cadbury’s Cocoa to golfers. Illustrated London News 1900 [22922] Hand coloured wood engraving by Cecin Aldin. 35 x 25 cm. £60

GOLF:
1831. GOLF. Lady, shaking the hand of a golfer.No title, but text below reads: ‘I must congratulate you, Mr macdonald, on winning the golf medal yesterday’ - ‘I beg your pardon, I didn’t win it’ - ‘But I heard you made the highest score’!! Illustrated Sporting & Dramatic News 1900 [22945] Uncoloured engraving, 33 x 24 cm. £50

GOLF:
1832. GOLF. ‘PREMIER VERSUS PISCATOR: Mr Balfour’s match with the Inverallochy fishermen, April 1st. - ‘A MOMENTOUS PUTT’ Illustrated London News 1905 [22936] Uncoloured engraving by S. Begg, 29 x 24 cm. £50

GOLF:
1833. GOLF. ‘FORE AND AFT: THE HUMOURIST ON THE LINKS’. M.D’Aricot (essaying the Royal & Ancient game for the first time): Mon Dieu! The English they understand not their own language. ‘E cry “fore” then e strike me be’ind! The Sketch 1905 [22944] Uncoloured engraving drawn by G.D.Armour. 28 x 19cms. £50

GOLF:
1834. GOLF. Advertisment for James Buchanan & Coy. Ltd. Scotch Whisky Distillers. A Golfer sits in a train carriage sipping whisky. The Graphic 1906 [22925] Hand coloured wood engraving, 36 x 27 cm. £70

GOLF:
1835. GOLF. ‘FRANCE’S CHAMPION GOLFER TO MEET TAYLOR ON AUGUST 24TH. - The style of Arnaud Massey, holder of the English and French golf championships. Full page engraving showing Arnaud Massey in twelve different positions. Illustrated London News 1907 [22940] Taken from a photographby Thiele. 33 x 22 cm. £50

GOLF:
1836. GOLF. ‘MEDAL DAY AT ST. ANDREWS’.After the drive with which the captain plays himself into office: Caddies scrambling for the ball. On Medal Day at St.Andrews, the captain-elect plays himself into office by driving the ball. As he makes the drive a cannon is fired, and the caddies, who have spread themselves over the links towards the Swilean Burn, scramble for the ball. Mr Horace Hitchinson, who played himself in the other day and so came into possesion of the silver putter, has described the function as ‘the nerve-shattering trial of striking that first ball’. Illustrated London News 1908 [23292] Uncoloured engraving, drawn by Max Cowper, 31 x 51 cm. £50

GOLF:
1837. GOLF. ‘THE ROYAL BLACKHEATH GOLF CLUB TERCENTENARY’. Double-page engraving, showing portraits, cups,links,medals and golf clubs, picture of the Club House and ‘a foursome, April 8th 1908’ (Colonel Kennard, R Whyte, W.E.Hughes and the captain, J.S.Sawyer) The Graphic 1908 [23293] Uncoloured. 34 x 55 cm. £80

GOLF:
1838. GOLF. ‘THE COSMIC GOLF COURSE’ : A Drive into the UNKNOWN. Father Time (about to send the world spinning on another round) : “FORE !” The Graphic 1910 [22927] Hand coloured wood engraving, 32 x 24 cm. £50

GOLF:
1839. GOLF. ‘LINKS WITH THE PAST: Lord Kitchener adopts driving tactics on the North Berwick veldt’. Lord Kitchener has succumed to the charms of golf and has been trying hard to master the game at North Berwick. The Graphic 1910 [22939] A fantasy by David Wilson. Uncoloured engraving, 32 x 24 cm. £50

GOLF:
1840. GOLF. ‘THE FINAL OF THE AMATEUR CHAMPIONSHIP AT HOYLAKE, MAY 27TH, 1921’. The raking drive to the edge of the green. The Field 1921 [22974] Tinted engraving, 28 x 22 cm. £60

GOSCHEN, GEORGE.J:
1841. The Graphic. ‘CELEBRITIES OF THE DAY - THE RIGHT HON. GEORGE J. GOSCHEN, M.P’. Threee quarter length portrait depicting the member of parliament with the despatch box, most probably reading out the ‘budget’! Drawn from life by Lance Calkin. The Graphic 1890 [23632] Uncoloured wood engraving, 50 x 38 cm. £50

GRAMMAR:
1842. Blome, Richard & Cox, Nicholas. ‘GRAMER’. Attractive illustration from ‘The Gentlemans Recreation. London 1686 [24779] Copper engraving, 38 x 24 cm. £75

HABERDASHERY:
1843. Weigel, Ch. ‘DER BORSENWIRCKER’. The haberdashery or trimmings maker. Christoph Weigel ca. 1699 [24388] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £50

HANDBAG MAKER:
1844. Weigel, Ch. ‘DER TACHNER’. The Bag Maker. Christoph Weigel ca. 1699 [24397] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £50

HAT MAKER:
1845. Weigel, Ch. ‘DER HUTER’. The Hat Maker. Christoph Weigel ca. 1699 [24401] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £50

HAWKING:
1846. Alami Pichor. ‘LES SPORTS MODERNES’. The title page of the well known French sports magazine showing a country gentleman in the pursuit of hawking. Paris Illustré 1908 [24518] Full colour print, 34 x 26 cm. £60

HERALDRY:
1847. Blome, Richard & Cox, Nicholas. ‘HERALDRY’. Attractive illustration from ‘The Gentlemans Recreation. London 1686 [24778] Copper engraving, 38 x 24 cm. £75

HERBAL:
1848. Gerarde, John. ‘WATER DRAGONS’, ‘SPIKIE DRAGONS’. Two illustrations of dragon wort on one page. Text verso. The Herball 1597 [24235] 29 x 18 cm. Original 16th century woodcut with original handcolouring, mounted. £65 From Gerard’s ‘The Herball or Generall Historie of Plantes...’, published in London 1597.

HERBAL:
1849. Gerarde, John. ‘RED VALERIAN’, ‘SPATLING POPPIE’. Two illustrations on one page, with text. The Herball 1597 [24236] 29 x 18 cm. Original 16th century woodcut with original handcolouring, mounted. £65 From Gerard’s ‘The Herball or Generall Historie of Plantes...’, published in London 1597.

HERBAL:
1850. Gerarde, John. ‘SMOOTH MULUCCA BAUME’, ‘THORNIE MOLUCCA BAUME’. Two illustrations on one page, with text. The Herball 1597 [24237] 29 x 18 cm. Original 16th century woodcut with original handcolouring, mounted. £60 From Gerard’s ‘The Herball or Generall Historie of Plantes...’, published in London 1597.

HERBAL:
1851. Gerarde, John. ‘BAWME’, ‘TURKIE BAWME’. Two illustrations on one page, with text. The Herball 1597 [24238] 29 x 18 cm. Original 16th century woodcut with original handcolouring, mounted. £60 From Gerard’s ‘The Herball or Generall Historie of Plantes...’, published in London 1597.

HERBAL:
1852. Gerarde, John. ‘GREAT DRAGONS’, ‘SMALL DRAGONS’. Two illustrations on one page, with text description. The Herball 1597 [24239] 29 x 18 cm. Original 16th century woodcut with original handcolouring, mounted. £60 From Gerard’s ‘The Herball or Generall Historie of Plantes...’, published in London 1597.

HOROLOGY:
1853. Anon. ‘HOROLOGY’. Eight illustrations from an American trades publication ‘The Growth of Industrial Art, - published by Sackett & Wilhelms Litho Co, New York ca 1890 [24803] Uncoloured wood engraving, 43 x 34 cm. £75

HORSERACING:
1854. Sturgess, J. Cross Country Colours. A group of jockeys on horseback jumping a ditch. Chromolithograph by Leighton, Bros from a picture by John Sturgess 1877 [19678] 29 x 47.5 cm. £70

HORSERACING:
1855. Sturgess, J. ‘A Dual Leap’. Two jockeys on a cross country run, jumping a stream. Chromolithograph by Leighton Bros from a painting by John Sturgess 1882 [19672] 50 x 34 cm. £60

HORSERACING:
1856. Sturgess, J. ‘Caps and Jackets of the Turf’. 16 small horseracing vignettes on four pages. Chromolithograph published by Vincent Brooks, Day & Son after John Sturgess 1886 [19674] Each coloured vignette measures approx. 12 x 17 cm. £85

HORSERACING:
1857. Anon. ‘Celebrities of the Turf’. Tinted wood engraving, showing important gentlemen of the racing fraternity (Duke of Portland, Earl Rosebery,Duke of Westminster etc) and some ‘jockeys of the day’ (F.Barrett, T.Cannon, F.Webb etc) London 1888 [19740] 36 x 56 cms. £50

HORSERACING:
1858. Sturgess, J. ‘Derby Heroes of the last ten Years’. Original colour printed engraving by Leighton, Bros from a drawing by John Sturgess 1889 [19684] 33 x 51 cm. £85

HORSERACING:
1859. Sturgess, J. ‘Four Derby Favourites, 1890’. Colour print by Leighton, Bros from a drawing by John Sturgess 1890 [19689] 24 x 35.5 cm. £85

HORSERACING:
1860. Sturgess, J. Duke of Portland’s Derby Winners. It shows the horses ‘Ayrshire’(1888) and ‘Donovan’(1889) with vignettes of the owner, Duke of Portland and the jockey, Fred Barrett. Coloured print by John Sturgess 1890 [19690] 24 x 36 cm. Coloured print. £85

HORSERACING:
1861. Anon. ‘JOCKEYS OF THE DAY’. 12 vignettes of Jockeys: S. Loates, J. Watts, G. Barrett, Fagan, Liddiard, Rickaby, F. Barrett, Tom Cannon, Robinson, T. Loates, F. Webb and Osborne, all in their respective racing colours. Illustrated London News 1891 [19691] 36 x 24 cm. Printed in full colours. £85

HORSERACING:
1862. Sturgess, J. The Derby Favourites. ‘Persimmon’ owned by the Prince of Wales, ‘St Frusquin’ owned by Leopold de Rothschild and ‘Regret’ owned by the Duke of Westminster. Coloured print by John Sturgess 1896 [19688] 23 x 33 cm. £85

HUNTING:
1863. Charlton, J. ‘Sketches in the hunting SPORTS - A forty minutes run with the hounds’. A group of nine coloured sketches. Original coloured wood engraving drawn by John Charlton 1883 [19681] 32.5 x 50 cm. £50

HUNTING:
1864. Bouverie Goddard. The Royal Stag Hounds. H.R.H. Prince of Wales and Lord Cork out hunting with the Royal Staghounds. Chromolithograph by Leighton Bros. from a drawing by Bouverie Goddard. ILN 1885 [19670] 34 x 54 cm. £85

HUNTING:
1865. Sturgess, J. Lawn Meet of the West Norfolk Hounds at Sandringham. Lithograph by Vincent Brooks, Day & Son from a picture by John Sturgess 1886 [19679] 36 x 50 cm. £85

HUNTING:
1866. Alken, H. The Leicestershire Covers, 1820. ‘The Meet’, ‘Full Cry’ and ‘The Death’. Chromolithograph from an original aquatint by Henry Alken 1890 [19677] Three coloured illustrations on one double page, each 10 x 45 cm. £80

HUNTING:
1867. Nicholson. ‘JANUARY’. The monthly illustration showing a hunting scene by Nicholson. Nicholson 1898 [24508] Full coloured tinted woodcut with title, 24 x 20 cm. £75

HUNTING:
1868. Job. ‘LES SPORTS MODERNES’. The title page of the well known French sports magazine showing a pair on horseback, jumping a fence. Paris Illustré 1908 [24517] Full colour print, 34 x 26 cm. Tight lower margin. £60

HUNTING:
1869. Job. ‘LES SPORTS MODERNES’. The title page of the well known French sports magazine showing a pair on horseback, in the hunting field. Paris Illustré 1908 [24519] Full colour print, 34 x 26 cm. Tight lower margin. £60

ICE CEAM VENDOR:
1870. Anon. ‘ITALY IN LONDON’. Images of Italian Folk in London including an Ice Cream Vendor. The Graphic 1898 [24087] Colour-printed illustration, 32 x 23 cm. £50

ICE SKATING:
1871. Marie, A. ‘CHRISTMAS IN CANADA - A JUVENILE SKATING BALL’. Published by The Graphic after Adrien Marie 1883 [24814] Full colour print, 31 x 51 cm. £75

ICE SKATING:
1872. Barnes, Robert, R.W.S. ‘A MERRY-GO-ROUND ON THE ICE’. A busy winters scene on the ice. The Graphic 1890 [24024] Printed in colour, 30 x 49 cm. £60

ICE SKATING:
1873. Lelong, Rene. ‘ICE LIKE LIFE IS RATHER BRITTLE, FULL OF RISK FOR ME AND YOU; BUT WHEN YOU ARE YOUNG AND LITTLE, THERE’S LESS CHANCE OF FALLING THROUGH!’. A merry ice skating scene with a mountainous background. Graphic Christmas Number 1913 [24498] Full colour print,with decoratice icy border, 33 x 23 cm. £60

KITCHEN SCENE:
1874. Moore, G. B. ‘REFORM CLUB. THE KITCHEN.’ Interior of the Victorian Reform Club kitchen. Coloured steel engraving by W. Radclyffe after G. B. Moore ca. 1850 [20308] 13 x 18 cm. £50 Recent hand colouring.

KITCHEN SCENE:
1875. Anonymous. ‘THE CHARTERHOUSE KITCHEN.’ Interior of a large Victorian institutional kitchen. Wood engraving, published in London 1867 [19725] 24 x 34 cm. Recent handcolouring. £75 Published in the Illustrated London News. Recent hand colouring.

LAW:
1876. Durand, G. The trial of the Tichborne Claimant.- General view of the court during the examination of Miss Mary Ann Loader. Superb court scene. Uncoloured wood engraving by G. Durand. London 1874 [16842] 33 x 52 cm. £75

LAW:
1877. LAW. The Consultation. Client explaining details of his problem to a solicitor. Uncoloured wood engraving by B.Vautier. 1874 [16844] 34 x 42 cm. £60

LAW:
1878. Durand, G. The trial of the detectives and Mr Froggatt at the Central Criminal Court - scene during the examination of William Kurr. Uncoloured wood engraving by G. Durand. London 1877 [16841] 30 x 51 cm. £60

LAW:
1879. The Graphic. ‘HER MAJESTY’S JUDGES, 1890’. Superb double page engraving of judges with key underneath explaining their names and positions. The Graphic 1890 [16847] 35 x 52 cm. Uncoloured. £75

LAW:
1880. Renouard, P. ‘Aquitted!’ A scene in the Paris Courts. A lady walks free. Tinted print drawn from life by Paul Renouard. London c 1890 [16851] 35 x 52 cm. £60

LAW:
1881. Renouard, P. ‘ACQUITTED! A SCENE IN THE PARIS COURTS’. Drawn from life by Paul Renouard. Paul Renouard ca. 1890 [24795] Tinted wood engraving, 35 x 53 cm. £85

LAW:
1882. LAW. The Baccarat case. Scene in court: Mrs Arthur Wilson cross-examined by Sir Edward Clarke, the Solicitor- General. Uncoloured wood engraving. 1891 [16840] 30 x 48cm. £60

LAW:
1883. Anon. Her Majesty’s Judges in Ireland, 1891. Double page engraving of all the judges in Ireland with key underneath explaining their different positions. Uncoloured wood engraving. London 1891 [16849] 32 x 49 cm. £60

LAW:
1884. LAW. The Trial of Jabez Balfour and his Co-Directors of the Liberator Society in Court III. of the Queen’s Bench before Mr Justice Bruce. Print drawn from life by H.M.Paget. 1895 [16848] 32 x 48 cm. £60

LEATHER MAKER:
1885. Weigel, Ch. ‘DER KIRSCHNER’ The Leather Maker. Christoph Weigel ca. 1699 [24386] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £50

LEATHER MAKER:
1886. Weigel, Ch. ‘DER LEDERER’. The Leather Maker. Christoph Weigel ca. 1699 [24402] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £50

LOGIC:
1887. Blome, Richard & Cox, Nicholas. ‘DIALECTICK OR LOGICK’. Attractive illustration from ‘The Gentlemans Recreation. London 1686 [24781] Copper engraving, 38 x 24 cm. £75

MEDICINE:
1888. Roberts. (circumcision).’CAFERS OR HOTTENTOTS ASSEMBLED FOR THE ADMISSION OF THEIR YOUTH TO THE STATE OF MANHOOD AT THE CAPE OF GOOD HOPE’. Miller ca. 1760 [24830] Uncoloured copper engraving with decorative border , 16 x 22 cm. £75

MEDICINE:
1889. Anon. (circumcision).’CIRCUMCISION OF THE NEGROES AT SENEGAL’. Middleton’s Geography ca. 1800 [24831] Uncoloured copper engraving with decorative border, 28 x 16 cm. £60

MEDICINE:
1890. French, W. ‘THE SICK LADY’. A Doctor attends a female patient,holding her wrist to test her heart beat and examining a water sample. Dresden Gallery ca. 1850 [24821] Uncoloured steel engraving, 16.5 x 13.5 cm. £60

MEDICINE:
1891. Wilkie, D. ‘THE CUT FINGER’. A family fuss over a small child who has cut his finger. Art Journal ca. 1860 [24829] Uncoloured steel engraving, 16 x 22 cm. £75

MILLER:
1892. Weigel, Ch. ‘DER MULLER’. The Miller. Christoph Weigel ca. 1699 [24384] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £50

MONKEYS:
1893. Carter, S. ‘A DARWINIAN QUESTION’. A group of monkeys looking on curiously at a tortoise’. From a picture by Samuel Carter, exhibited in ‘The Graphic’ exhibition of Animal paintings. The Graphic 1886 [24017] Printed in colours, 30 x 23 cm. £75

MUSHROOMS:
1894. Furrer. UNTITLED. 11 different types of edible mushrooms. Coloured Lithograph by Furrer ca. 1870 [20782] 28 x 19 cm. £70

MUSHROOMS:
1895. Furrer. UNTITLED. 8 different types of Edible mushrooms. Coloured Lithograph by Furrer ca. 1870 [20783] 28 x 19 cm. £70

MUSICAL INSTRUMENTS:
1896. Hipkins. ‘GUITAR’. Front and back images of the Spanish Guitar. This particular instrument belonging to the Museum of Science and Art in Edinburgh, has been selected on account of it’s great beauty of decoration. It is ornamented with inlaid ivory plaques, with engraved figures of decorative subjects let into the finger-board. There is a mother of pearl vase beneath the bridge upon the sound-board, as well as one near the juntion of the finger -board. The back is of ebony and ivory, the reverse of the neck and head being gracefully incised. Chromolithograph with accompanying sheet of text, published in London by Hipkins 1888 [23994] 32 x 21 cm. £75 MANY MORE INSTRUMENTS IN THIS SERIES.

MUSICAL INSTRUMENTS:
1897. Hipkins. UNTITLED. Superb images of a State Trumpet and Kettledrum. A silver state trumpet adorned with bannerets of the Royal Arms in crimson and gold, and silver state kettledrum similarly adorned, belong to the collection of H.M.the Queen, in St James’s Palace. They were both probably made in the reign of George III. Chromolithograph with accompanying sheet of text, published by Hipkins 1888 [24002] 32 x 21 cm. £60

MUSICAL INSTRUMENTS:
1898. Hipkins. ‘PANDURINA AND TWO MILANESE MANDOLINES’. Chromolithograph with accompanying sheet of text, published by Hipkins 1888 [24240] 29 x 18 cm. £60

MUSICAL INSTRUMENTS:
1899. Hipkins. ‘DOLCIANO, OBOE, BASSOON, OBOE DA CACCIA, BASSET HORN’. Five illustrations of instruments on one page. Chromolithograph with accompanying sheet of text, published by Hipkins 1888 [24241] Full colour, 32 x 21 cm. £60

MUSICAL INSTRUMENTS:
1900. Hipkins. ‘TWO DOUBLE FLAGEOLETS, A GERMAN FLUTE AND TWO FLUTES DOUCES’. Five illustrations of instruments on one page. Chromolithograph with accompanying sheet of text, published by Hipkins 1888 [24242] Full colour, 32 x 21 cm. £60

MUSICAL INSTRUMENTS:
1901. Hipkins. ‘TWO TRUMPETS, LITUUS, BUCCINA, CORNET, ’. Five illustrations of trumpets on one page. Chromolithograph with accompanying sheet of text, published by Hipkins 1888 [24243] Full colour, 32 x 21 cm. £60

MUSICAL INSTRUMENTS:
1902. Hipkins. ‘CAVALRY BUGLE, CAVALRY TRUMPET, THREE OTHER TRUMPETS’. Five illustrations of bugles and trumpets on one page. Chromolithograph with accompanying sheet of text, published by Hipkins 1888 [24244] Full colour, 32 x 21 cm. £60

MUSICAL INSTRUMENTS:
1903. Hipkins. ‘BAGPIPES’. Four illustrations drawn from Bagpipes originally belonging to Messrs J. & R. Glen, Edinburgh. A large bagpipe with a green bag is the ‘Lowland Scotch’, The Northumbrian Bagpipe with a blue bag, and two others. Chromolithograph with accompanying sheet of text, published by Hipkins 1888 [24245] Full colour, 32 x 21 cm. £60

MUSICAL INSTRUMENTS:
1904. Hipkins. ‘BAGPIPES’. Four illustrations, three bagpipes (The Cornemuse, Calabrian Bagpipe & the Musette) and one hurdy-gurdy. Chromolithograph with accompanying sheet of text, published by Hipkins 1888 [24246] Full colour, 32 x 21 cm. £60

MUSICAL INSTRUMENTS:
1905. Hipkins. ‘LUTE’. Fine old Italian Lute with the label “1600, in PADOVA Vvendelio Venere”. The favourite instrument of the late Carl Engel. Front and back illustrations. Chromolithograph with accompanying sheet of text, published by
Hipkins 1888 [24247] Full colour, 32 x 21 cm. £60

MUSICAL INSTRUMENTS:
1906. Hipkins. ‘CHITARRONI’. 0r large guitar. Illustrations of three different instruments. Chromolithograph with accompanying sheet of text, published by Hipkins 1888 [24248] Full colour, 32 x 21 cm. £60

MUSICAL INSTRUMENTS:
1907. Hipkins. ‘HARP’. Chromolithograph with accompanying sheet of text, published by Hipkins 1888 [24249] Full colour, 32 x 21 cm. £60

MUSICAL INSTRUMENTS:
1908. Hipkins. ‘THE RIZZIO GUITAR’. Illustrations (front and back) of a beautiful Guitar of tortoiseshell, combined with ivory, mother of pearl, and ebony. Chromolithograph with accompanying sheet of text, published in London by Hipkins 1888 [24250] Full colour, 32 x 21 cm. £80

NEW YEAR’S DAY.
1909. BOUGHTON, G.H. ‘NEW YEAR’S DAY IN OLD NEW YORK’. A young man is greeting a young woman in the streets of New York, in olden times. The Graphic 1882 [24015] Printed in colour, 30 x 22 cm. £50

OPERA:
1910. Verdi, G. ‘SCENE FROM ‘DON CARLOS’, AT THE ROYAL ITALIAN OPERA’.

Illustrated London News 1867 [24219] Recently hand-coloured wood engraving, 24 x 33 cm. £60

OPERA:
1911. Anon. ‘THE GRAND OPERA HOUSE, PARIS’. Fine illustration of the recently built ‘Opera Garnier’ in Paris. Illustrated London News 1871 [24218] Recently hand coloured wood engraving, 24 x 33 cm. £60

OPERA HOUSE:
1912. Anonymous. ‘COVENT-GARDEN THEATRE, TO BE OPENED THIS EVENING’. Covent Garden Opera House, London. Published in Illustrated London News 1858 [24122] Wood engraving, 24 x 33 cm. Recent colouring.
£60

OPERA HOUSE:
1913. Anonymous. ‘HOF - OPER’. The famous Opera House in Vienna. Anonymous ca. 1890 [24121] Chromolithograph, 9 x 15 cm.
£75

OPERA HOUSE DIRECTOR:
1914. Vanity Fair. ‘GRAND OPERA’.‘HENRY VINCENT HIGGINS’. Controlled Covent Garden. Born 1855. Educated Edgbaston. Merton. Served 7 years in 1st Life Guards. Became a lawyer. Director of Ritz Hotel Paris and Claridge's. Vincent Day Brooks & Sons 1898 [24273] Chromolithograph, 33 x 19 cm. £60

OPERA SINGER:
1915. Heath, Charles. ‘PERSIANI as ROSINA in THE BARBER OF SEVILLE’. David Bogue, London 1845 [24352] Uncoloured steel engraving with decorative border from the ‘Beauties of the Opera & Ballet’ edited by Charles Heath. 22 x 16 cm. £50

OPERA SINGER:
1916. Heath, Charles. ‘TREILLET - NATHAN as VALENTINE’.. David Bogue, London 1845 [24353] Uncoloured steel engraving with decorative border from the ‘Beauties of the Opera & Ballet’ edited by Charles Heath. 22 x 16 cm. £50

OPERA SINGER:
1917. Heath, Charles. ‘DORUS - GRAS as MARGUERITE DE VALOIS’. David Bogue, London 1845 [24354] Uncoloured steel engraving with decorative border from the ‘Beauties of the Opera & Ballet’ edited by Charles Heath. 22 x 16 cm. £50

OPERA SINGER:
1918. Heath, Charles. ‘GIULIA GRISI as NORMA’ in the opera of the same name by Bellini. David Bogue, London 1845 [24355] Uncoloured steel engraving with decorative border from the ‘Beauties of the Opera & Ballet’ edited by Charles Heath. 22 x 16 cm. £60

OPERA SINGER:
1919. Heath, Charles. ‘SONTAG as DONNA ANNA in the opera DON GIOVANNI by MOZART’. David Bogue, London 1845 [24356] Uncoloured steel engraving with decorative border from the ‘Beauties of the Opera & Ballet’ edited by Charles Heath. 22 x 16 cm. £50

OPERA SINGER:
1920. Heath, Charles. ‘Mille FALCON in the opera LA JUIVE by MEYERBEER’. David Bogue, London 1845 [24357] Uncoloured steel engraving with decorative border from the ‘Beauties of the Opera & Ballet’ edited by Charles Heath. 22 x 16 cm. £50

OPERA SINGER:
1921. Vanity Fair. ‘THE ENGLISH TENOR’. Full length portrait of the renowned ‘tenor’ John Sims Read, singing from the sheet music ‘The Bloom is on the Rye’. Vincent Brooks Day & Sons 1890 [24216] Mounted chromolithograph, 32 x 19 cm. Excellent condition. £60

OPERA SINGER:
1922. Vanity Fair. ‘POLISH TENOR’. Full length portrait of the renowned Operatic Tenor, Jean de Reszke, in costume. Vincent Brooks Day & Sons 1891 [24000] Chromolithograph, 32 x 19 cm. £60

PARLIAMENT:
1923. Dudley, Robert. ‘THE PEERS LOBBY TO THE HOUSE OF LORDS’. Illustrated London News 1863 [24489] Chromolithograph, (printed in full bright colour with lots of detail) 45 x 32 cm. £50

PHOTOGRAPHY:
1924. Dagnan-Bouveret, M. ‘A WEDDING PARTY AT THE PHOTOGRAPHERS’. From the picture by M Dagnan-Bouveret in the Paris Salon. Illustrated London News 1879 [24794] Hand coloured wood engraving, 32 x 47 cm. £85

PIANIST:
1925. Vanity Fair. ‘CORNEY GRAIN’. Barrister then actor. Playing piano. Vincent Day Brooks & Sons 1885 [24267] Chromolithograph, 33 x 19 cm. £60

PIANIST:
1926. Vanity Fair. ‘IMPROMPTU’. Mark Hambourg. Pianist. Vincent Day Brooks & Sons 1908 [24259] Chromolithograph, 33 x 19 cm. £60

POSTMAN:
1927. Weigel, Ch. ‘DER POSTILION UND POST’. The Postman. Christoph Weigel ca. 1699 [24393] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £50

PRINTING:
1928. Illustrated London News. ‘THE BEAUTY OF THE PHOTOGRAVURE’. Seven pages of illustrations and accompanying text concerning the ‘rotary machine’ for the rapid printing of photogravures, - including an exceedingly detailed double page image of the ‘Rotogravur Machine’. Illustrated London News 1913 [21687] 36 x 25 cm. £70

RAILWAY ENGINE:
1929. Anon. ‘THE GEORGE STEPHENSON LOCOMOTIVE ENGINE BUILT AT HAMILTON, CANADA WEST...’. Many of the management personnel are named. Wood engraving, published in London 1860 [20809] 24 x 35 cm. Recent hand colouring. £75

RESTAURANT:
1930. Bedford, F.D. No title. A scene in a restaurant. Three children are about to be served with Ice-Cream, an old lady is about to feed her dogs with a biscuit! The counter is displayed with an assortment of cakes and pastries and meats. Lucas, c
, 1905 [23991] Coloured print, 17 x 23 cm. £60

RIDING:
1931. Anon. Sketches on Horseback. Two pages with a collage on each: ‘A ride in town - in the row’ & ‘A ride in the country’. Coloured wood engraving. Anonymous 1883 [19673] £60

ROPEMAKER:
1932. Weigel, Ch. ‘DER SEILE’. The Ropemaker. Christoph Weigel ca. 1699 [24412] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £50

ROWING:
1933. Anon. ‘THE UNIVERSITY BOAT-RACE DEAD-HEAT: THE FINISH’. The fnish of the Oxford - Cambridge boat race on the Thames in 1877. Illustrated London News 1877 [24810] Hand coloured wood engraving, 32 x 46 cm. £85

ROYAL SMITHFIELD CLUB:
1934. Small, W. ‘THE HUNDREDTH CATTLE SHOW, 1897, HELD IN THE AGRICULTURAL HALL, ISLINGTON. THE CENTENARY OF THE SMITHFIELD CLUB CATTLE SHOW, 1798 - 1897’. A delightful scene of the visitors admiring the prize pigs. The Graphic 1897 [24023] Printed in colours, 32 x 56 cm. £75 “Smithfield Club, Half Moon-Street, Piccadilly. Strictly speaking, not so much a club as an agricultural society for offering prizes for improvements in feeding and fattening cattle, etc. Its annual shows take place at the Agricultural Hall, Islington, and are known as the Christmas Fat Cattle Show, held in December” (Charles Dickens jr., Dickens’s Dictionary of London 1879). - The Smithfield Club still exists today, located in Bath/Somerset.

RUGBY:
1935. Anon. SCRUM SCENE: - Advertisement for Cadbury’s Cocoa showing a rugby scrum scene at Bournville F. C. The Graphic 1888 [16786] Recently hand-coloured wood engraving, 36 x 26 cm. £65

RUGBY:
1936. Hentschel, C. ‘THE MAORI FOOTBALL TEAM: FIRST MATCH AT RICHMOND OCT 3.- AGAINST THE SURREY CLUB’. Six scenes on one full page.
Illustrated London News 1888 [16792] Recently hand-coloured wood -engraving, 30 x 23 cm. £70

SADDLER:
1937. Weigel, Ch. ‘DER SPORER’. The Bridle and Stirrup maker. Christoph Weigel ca. 1699 [24390] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £50

SERVANTS:
1938. Weigel, Ch. ‘DER DIENSTBOTT’. The Servants. Christoph Weigel ca. 1699 [24405] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £50

SHERRY:
1939. Anon. 'THE SHERRY VINTAGE IN THE CERRO DE OBREGON VINEYARD, JEREZ'. Six assorted illustrations relating to Sherry production. Illustrated London News 1876 [24213] Recently coloured wood engraving, 33 x 23 cm. £75

SHOOTING:
1940. Job. ‘LES SPORTS MODERNES’. The title page of the well known French sports magazine showing a young courting couple being interrupted by an inquisitive dachshund and an annoyed poacher. Paris Illustré 1908 [24521] Full colour print, 34 x 26 cm. Tight lower margin. £60

SIEVE MAKER:
1941. Weigel, Ch. ‘DER SIEBER’. The Sieve Maker. Christoph Weigel ca. 1699 [24403] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £50

SINGER:
1942. Lacauchie, A. ‘ANNA-THILLON’. From Galerie des Artistes Dramatiques de Paris. Full length image of the singer from the Opera-Comique. Paris ca. 1840 [24294] Uncoloured lithograph by Rigo Freres, 25 x 16 cm. £60

SINGER:
1943. Lacauchie, A. ‘DAMOREAU CINTI’. From Galerie des Artistes Dramatiques de Paris. Full length image of the singer from the Opera-Comique. Paris ca. 1840 [24295] Uncoloured lithograph by Rigo Freres, 25 x 16 cm. £60

SINGER:
1944. Lacauchie, A. ‘STOLZ’. From Galerie des Artistes Dramatiques de Paris. Full length image of the mezzo-soprano in the role of Leonore from the opera ‘La Favourite’ by Donizetti. Paris ca. 1840 [24298] Uncoloured lithograph by Rigo Freres, 25 x 16 cm. £60

SINGER:
1945. Aubert. ‘ANNA-THILLON’. Head to waist portrait from the series: ‘Galerie de la Presse, de la Literature et des Beaux Arte’. Paris ca. 1840 [24299] Uncoloured steel engraving, 18 x 14 cm. £50

SINGER:
1946. Aubert. ‘LABLACHE’. Head & shoulder portrait from the series: ‘Galerie de la Presse, de la Literature et des Beaux Arte’. Paris ca. 1840 [24300] Uncoloured steel engraving, 18 x 14 cm. £50

SINGER:
1947. Aubert. ‘Mlle ROSSI’. Head to waist portrait from the series: ‘Galerie de la Presse, de la Literature et des Beaux Arte’. Paris ca. 1840 [24301] Uncoloured steel engraving, 18 x 14 cm. £50

SINGER:
1948. Aubert. ‘PERSIANI’. Head to waist portrait from the series: ‘Galerie de la Presse, de la Literature et des Beaux Arte’. Paris ca. 1840 [24302] Uncoloured steel engraving, 18 x 14 cm. £50

SINGER:
1949. Aubert. ‘JULIA GRISI’. Head to waist portrait from the series: ‘Galerie de la Presse, de la Literature et des Beaux Arte’. Paris ca. 1840 [24303] Uncoloured steel engraving, 18 x 14 cm. £50

SINGER:
1950. Aubert. ‘PAULINE GARCIA’. Head to waist portrait from the series: ‘Galerie de la Presse, de la Literature et des Beaux Arte’. Paris ca. 1840 [24304] Uncoloured steel engraving, 18 x 14 cm. £50

SINGER:
1951. Aubert. ‘PAULINE LEROUX’. Head to waist portrait from the series: ‘Galerie de la Presse, de la Literature et des Beaux Arte’. Paris ca. 1840 [24305] Uncoloured steel engraving, 18 x 14 cm. £50

SINGER:
1952. Aubert. ‘MARIO DE CANDIA’. Head to waist portrait from the series: ‘Galerie de la Presse, de la Literature et des Beaux Arte’. Paris ca. 1840 [24306] Uncoloured steel engraving, 18 x 14 cm. £50

SINGER:
1953. Aubert. ‘Mlle FALCON’. Head to waist portrait from the series: ‘Galerie de la Presse, de la Literature et des Beaux Arte’. Paris ca. 1840 [24307] Uncoloured steel engraving, 18 x 14 cm. £50

SINGER:
1954. Aubert. ‘Mlle DAMOREAU CINTI’. Head to waist portrait from the series: ‘Galerie de la Presse, de la Literature et des Beaux Arte’. Paris ca. 1840 [24308] Uncoloured steel engraving, 18 x 14 cm. £50

SINGER:
1955. Aubert. ‘DORUS GRAS’. Head to waist portrait from the series: ‘Galerie de la Presse, de la Literature et des Beaux Arte’. Paris ca. 1840 [24309] Uncoloured steel engraving, 18 x 14 cm. £50

SINGER:
1956. Aubert. ‘RUBINI’. Head & shoulder portrait from the series: ‘Galerie de la Presse, de la Literature et des Beaux Arte’. Paris ca. 1840 [24310] Uncoloured steel engraving, 18 x 14 cm. £50

SINGER:
1957. Aubert. ‘TAMBURINI’. Head & shoulder portrait from the series: ‘Galerie de la Presse, de la Literature et des Beaux Arte’. Paris ca. 1840 [24311] Uncoloured steel engraving, 18 x 14 cm. £50

SINGER:
1958. Weger. ‘MARIA PICCOLOMINI’. Three quarter lenth portrait of the soprano as Violetta in the ‘brindisi’ from theopera La Traviata from Guiseppe Verdi. Leipzig ca. 1850 [24340] Uncoloured steel engraving, 21 x 15 cm. Margins extended. £80

SINGER:
1959. Vanity Fair. ‘A FINE BARITONE’. Victor Maurel. Vincent Day Brooks & Sons 1898 [24257] Chromolithograph, 33 x 19 cm. £60

SINGER/COMPOSER:
1960. Vanity Fair. ‘A GREAT ENGLISH COMPOSER’. Isidore de Lara. Singer. Born London 1858. After his singing career turned to writing operas. Vincent Day Brooks & Sons 1908 [24272] Chromolithograph, 33 x 19 cm. £60

SOLDIER:
1961. Weigel, Ch. ‘DER SOLDAT’. The Soldier Christoph Weigel ca. 1699 [24404] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £50

ST. VALENTINE:
1962. The Graphic. ‘S. VALENTINE’S DAY’. A delightful picture of a young Cupid dressed as postman visiting on Valentine’s Day. The Graphic 1875 [24012] Printed in colour and gold, surrounded by a decorative border, 30 x 22 cm. £60

STOCK EXCHANGE:
1963. Brown, J. R. ‘THE MONEY MARKET PANIC IN AMERICA: SCENE AT THE STOCK EXCHANGE, SAN FRANCISCO’. Wood engraving, published in London 1873 [20811] 24 x 34 cm. Recent hand colouring. £75 J. R. Brown, British illustrator (fl. 1872-1890).

TABLE MATTERS:
1964. Langlume. ‘SANS QU’CA PARAISSE’. Langlume 1820 [20791] 22 x 18 cm. £50

TAILOR:
1965. Weigel, Ch. ‘DER SCHNEIDER’. The Tailor. Christoph Weigel ca. 1699 [24411] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £75

TEA:
1966. Anon. ‘TEA CULTIVATION IN BRITISH INDIA’. Eight scenes on one sheet. Illustrated London News 1876 [20816] 31 x 23 cm. Recent hand colouring. £75

TELEPHONE:
1967. The Graphic. ‘THE TELEPHONE EXCHANGE IN LONDON’. Scenes from the London Telephone Exchange, working to manually connect customers. The Graphic 1883 [24791] Hand coloured wood engraving, 30 x 48 cm. £85

TENNIS:
1968. TENNIS. A Tennis Court in Algeria. 1875 [19648] Wood engraving, 22.5 x 30 cm. Recently hand coloured. £60

TENNIS:
1969. Swain. ‘SKETCHES AT THE CHAMPIONSHIP LAWN TENNIS MATCH, WIMBLEDON’. Four scenes among the spectators. Illustrated London News 1879 [19645] Wood engraving, 30 x 21 cm. Recently hand coloured. £65 “This illustration shows the final round of the contest for the Championship, and two or three little bits of by-play among the spectators ; that of ‘three to love’ being intelligible not perhaps to our lady readers but at least to those who are conversant with the rules and scores of lawn tennis !“

TENNIS:
1970. Hopkins, Arthur. ‘THE LAWN TENNIS CHAMPIONSHIP MEETING AT WIMBLEDON - THE FIFTH ROUND OF THE ALL COMERS’ MATCH’. The Graphic 1881 [19642] Uncoloured wood engraving, 22 x 30 cm. £75

TENNIS:
1971. Anon. ‘OUR LAWN TENNIS MATCH’. Seven scenes of a mixed doubles tennis match. The |Graphic 1881 [24839] Tinted engraving, 30 x 23 cm. £60

TENNIS:
1972. Johnson, E.K. ‘Our Lawn Tennis Party’. Tennis players resting in the garden, having tea. The Graphic 1882 [24224] Tinted wood-engraving, 30 x 22 cm. £60

TENNIS:
1973. Barnes, R. ‘Irrepressible Enthusiasts - Tennis in the Snow ‘. R. Barnes 1884 [19647] 20 x 30 cm. Recently handcoloured wood engraving. £60

TENNIS:
1974. TENNIS. Notes at the Lawn-Tennis meeting for the Championship of Ireland at Dublin. 1884 [19650] Wood engraving, 29.5 x 22.5 cm. Recently hand coloured. £60

TENNIS:
1975. Anon. ‘ALL ABOUT OUR LAWN TENNIS CLUB’. Seven scenes showing club members measuring out and preparing the land and creating a tennis court. The Graphic 1886 [24840] Tinted engraving, 47 x 33 cm. £75

TENNIS:
1976. Anon. ‘OPENING OF THE NEW PRINCE’S CLUB, KNIGHTSBRIDGE’. The tennis match between Mr A. Lyttleton and C.Saunders. The Graphic 1889 [24841] Uncoloured wood engraving, 17 x 22 cm. £50

TENNIS:
1977. TENNIS. The covered court lawn tennis championships. 1891 [19634] Wood engraving, 25 x 34 cm. Recently hand coloured. £80

TENNIS:
1978. Barnes, R. ‘UNWELCOME VISITORS’. A Lawn Tennis game is interrupted by a flock of birds attacking the pic-nic table nearby! Uncoloured woodengraving by R. Barnes 1891 [19646] 30 x 22 cm. £50

TENNIS:
1979. Barnes, R. ‘UNWELCOME VISITORS’. A Lawn Tennis game is interrupted by a flock of birds attacking the pic-nic table nearby! R. Barnes. 1891 [23926] 30 x 22 cm. Recently hand-coloured. £60

THEATRE CENSOR:
1980. Vanity Fair. PIGOTT, Mr Edward Frederick Smyth. MA. 'Examiner of Plays' (Censor). Born Somersetshire. Educated Eton, Balliol. His career included the law and journalism. He kept 'the English Stage free from impropriety'. Vincent Day Brooks & Sons 1890 [24282] Chromolithograph, 33 x 19 cm. £60

THEOLOGY:
1981. Blome, Richard & Cox, Nicholas. ‘THEOLOGY’. Attractive illustration from ‘The Gentlemans Recreation. London 1686 [24780] Copper engraving, 38 x 24 cm. £75

VIOLINIST:
1982. Vanity Fair. ‘FIRST VIOLIN’. The Duke of Edinburgh. Vincent Day Brooks & Sons 1874 [24264] Chromolithograph, 33 x 19 cm. £60

VIOLINIST:
1983. Pieter Van Slingelant. 'Der Violinspieler'. A Violin player standing at the window tuning his instrument. Etching by L. Kuhn, ca. 1880 [24220] Uncoloured, 24 x 19 cms. £75

VIOLINIST:
1984. Vanity Fair. ‘SARASATE’. Senor Pablo Sarasate. Violinist. Vincent Day Brooks & Sons 1889 [24254] Chromolithograph, 33 x 19 cm. £60

VIOLINIST:
1985. Vanity Fair. ‘KUBELIK’. The famous violinist. Full length portrait, with violin. Vincent Brookes Day & Sons 1903 [23997] Chromolithograph. 34 x 20cms. £60

VIOLINIST/CONDUCTOR:
1986. Vanity Fair. ‘EDUARD STRAUSS’. Vincent Day Brooks & Sons 1895 [24268] Chromolithograph, 33 x 19 cm. £60

WEAVER:
1987. Weigel, Ch. ‘DER WEBER’. The Weaver. Christoph Weigel ca. 1699 [24407] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £50

WHALING:
1988. Orbigny, Ch. D. ‘MAMMIFERES’. 2 whaling scenes on two sheets. Engraved by Fournier after designs by Travies for Charles Dessali Orbigny’s Dictionnaire Universel d’Histoire Naturelle ca. 1840 [22887] 12 x 19 cm each. One coloured, one uncoloured. The set of two prints £70

WIG MAKER:
1989. Weigel, Ch. ‘DER PERRUQUENMACHER’ The Wigmaker. Christoph Weigel ca. 1699 [24410] Copper Engraving, 8 x 9 cm, with added text on page13 x 8 cm. £50

WILD BOAR HUNTING:
1990. Job. ‘LES SPORTS MODERNES’. The title page of the well known French sports magazine showing a man on a horse with hunting horn, chasing a wild boar. Paris Illustré 1908 [24520] Full colour print, 34 x 26 cm. Tight lower margin. £60

WINE:
1991. Mercator/Janssonius. ‘BURGUNDIA DUCATUS’. Map of the French wine region of Burgundy. Copper plate engraving by Mercator, published by Janssonius ca. 1648 [20310] 15 x 19 cm. £50 Gerhard Mercator (1512-1594), Dutch cartographer, whose maps were used by various publishers long after his death.

WINE:
1992. Levasseur, V. ‘DEPT. DE LA MOSELLE’. Map of the French wine growing region. Atlas National Illustré ca. 1850 [20311] 28 x 41 cm. £70 The map coloured in outline, the surrounding decorations, text cartouches, scenes and views uncoloured.

WINE:
1993. Anon. ‘THE VINTAGE OF MEDOC: Cuvier or pressing-house at Chateau D’Estournel’. Illustrated London News 1871 [24215] Recently hand-coloured wood engraving, 24 x 34 cm. £75

WINE:
1994. Anon. 'Spring in Portugal: Trimming the Grape Vines.' Illustrated London News 1873 [24211] Recently coloured wood engraving, 22 x 30 cm. £60

WINE:
1995. Destez, Paul. 'The Vintage in the Canton of Vaud'. Six illustrations of wine-growing in Switzerland. The Graphic 1894 [24214] Recently hand coloured wood engraving, 31 x 22 cm. £60

WINE & SPIRITS:
1996. Hake, F. A. ‘THE VINTAGE IN THE CANTON OF VAUD’. Six scenes of the wine harvest in Switzerland. Wood engraving by Paul Destez after F. A. Hake 1894 [20815] 31 x 22 cm. Recent hand colouring. £70

WINE & SPRIITS:
1997. Anonymous. ‘BÉNÉDICTINE DE L’ANCIENNE ABBAYE DE FÉCAMP’. Advert for this famous French liqueur, showing a bottle above a view of the town of Fécamp, all within decorative floral art deco borders. Printed in several colours on grey card. Hachette in Paris 1904 [20305] 43 x 31 cm. £50

WIREMAKER:
1998. Weigel, Ch. ‘DER DRAHTZIEHER’. The Wiremaker. Christoph Weigel ca. 1699 [24409] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £50

WRITER:
1999. Weigel, Ch. ‘DER SCHREIBER’. The Writer. Christoph Weigel ca. 1699 [24408] Copper Engraving, 8 x 9 cm, with added text on page,13 x 8 cm. £50

========================================================================

BERUFE / SPORT / VARIA
(Decorative prints & engravings with item descriptions in German  #2200 - #2348)

SIND SIE AN ALTEN DEUTSCHEN STADTANSICHTEN INTERESSIERT???
 WIR HABEN EINEN UMFANGREICHEN KATALOG VON FAST 900 ANSICHTEN AUFGELISTET:

ALTE DEUTSCHE STADTANSICHTEN

========================================================================

2200. ANGELN:
'La pêche à la ligne'. Anglerin nimmt einen Fisch von der Angel. Farblitho in der Art eines Farbholzschnitts von Nicholson von 1898, [6348] 20 x 20 cm. £60

2201. APFELWEINHERSTELLUNG:
Apfelweinkelterei mit Rührbottich und Presse, darunter Schnittzeichnung der Kelterei (Aufblick). Kupferstich aus einer engl. Enzyklopädie um 1780, [6349] 29 x 17 cm. £50

2202. ARCHITEKT:
‘Architecture’. Sammelblatt mit schematisch angeordneter Darstellung in Netzwerkform von architektonischen Regeln für alle Arten von Gebäuden, innerhalb eines großen Hochovals, umgeben von einem Ring mit zahlreichen Gerätschaften und Instrumenten, mit allegorischen Darstellungen der Architektur in den unteren beiden äußeren Ecken und Widmung und Wappen in den beiden oberen Ecken. Text in Englisch. Kupferstich von R. Blome um 1690, [18193] 38 x 23 cm. £100

2203. ASTROLOGIE:
‘The Astrologer’. Astrologe im Armstuhl in seinem Sudierzimmer. Großer Stahlst. von Demannez nach Lucas um 1850, [17561] 25 x 19 cm. £70

2204. ASTRONOMIE:
'The Observatory at Pe-kin'. Das (Freiluft-) Observatorium in Peking mit Globen, Sphären, Quadranten und Sextanten. Kupferstich von Child um 1750, [6354] 15 x 22 cm. £50

2205. BÄCKER:
'De Koekebakker'. Mehrere Konditoren bereiten Kuchen in der Backstube. Kupferstich von Luyken um 1745, auf der ganzen Textseite mit Überschrift und darunterstehendem mehrzeiligen holl. Text, 13 x 7 cm. [6363] £60

2206. BÄCKER:
'De Pasteybakker'. Pastetenbäcker. Kupferstich von Luyken um 1745, auf der ganzen Textseite mit Überschrift und darunterstehendem mehrzeiligen holl. Text, 13 x 7 cm. [6364] £60

2207. BANK:
'The Money Lender...'. Geldverleiher. Altkolor. Aquatinta von Cruikshank um 1840, [6372] 11 x 18 cm. £50

2208. BASEBALL:
'The Americans playing Base-Ball...'. Amerikanische Baseballspieler auf einem Platz in London. Holzstich von 1874, [6376] 24 x 34 cm. £50

2209. BEERDIGUNG:
‘L’enterrement du Roy de la Mexique’. Nächtlicher Leichenzug des Königs von Mexico mit halbnackten Einheimischen, Fackel- und Standartenträgern. Kupferstich von Picart um 1695, [16737] 14 x 28 cm. £50

2210. BIENENZUCHT:
'Bee Keeping and the Manufacture of Artificial Honey-Comb'. Sammelblatt mit 9 versch. Darstellungen zur Herstellung von wiederverwendbaren künstlichen Honigwaben und zur Honiggewinnung, in der Mitte eine Farm mit zahlreichen Bienenstöcken. Holzstich von 1883, [6098] 34 x 23 cm. £50

2211. BIER:
‘Ein im Riß entworfnes Bräuhauß samt dessen Zugehör...’. Zahlreiche Schnitt- und Detailzeichnungen eines Brauhauses mit Pumpen, Dörre, Mühle, etc. Doppelblattgroßer Kupferstich aus Florinus um 1702, [15503] 31 x 39 cm. £60

2212. BÖRSE:
'The Royal Exchange...'. Londoner Börsensaal mit zahlreichen Maklern. Altkolor. Aquatinta von Cruickshank von 1821, [6115] 10 x 18 cm. £50

2213. BOXEN:
'Les Exercices de Boxe'. Boxkampf im Ring. Farblitho in der Art eines Farbholzschnitts von Nicholson von 1898, [6124] 20 x 20 cm. £60

2214. BUCHDRUCKER:
‘Die Erfindung der Buchdruckerkunst’. Gutenberg mit Gehilfen in seiner Druckerwerkstatt begutachtet eine gedruckte Seite. Kreidelitho bei Orell-Füssli um 1842, [19908] 13 x 18 cm. £60

2215. BÜRSTENBINDER:
'Der Bürstenbinder'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. Kräftiger Abdruck. [6131] £50

2216. CHEMIKER:
'De Scheider'. Chemiker vor Ballongläsern vor der Esse sitzend. Kupferstich von Luyken um 1745, auf der ganzen Textseite mit Überschrift und darunterstehendem mehrzeiligen holl. Text, 13 x 7 cm. [6133] £85

2217. CHEMIKER:
'A Second View of Practical Chymistry...'. Zwei Chemiker in ihrem Labor. Kupferstich aus Universal Magazine von 1748, [6134] 19 x 23 cm. £85

2218. CHEMIKER:
'Chemical Laboratory'. Großes, reich ausgestattetes Chemielabor mit Arbeitstisch, zahlreichen Glasbehältnissen und Apparaturen, alles mit Ziffern bezeichnet und mit dem dazugehörigen Text auf zwei gesonderten Blättern. Kupferstich aus New Royal & Universal Dictionary of Arts & Sciences um 1780, [6136] 17 x 31 cm. £100

2219. CHEMIKER:
'Chemical Laboratory'. Großes Chemielabor mit zahlreichen Glasbehältnissen, Apparaturen und Kaminen, alles mit Ziffern und Buchstaben bezeichnet, aber ohne Erläuterungen. Kupferstich aus einer engl. Enzyklopädie um 1790, [6137] 17 x 30 cm. £60

2220. CHEMIKER:
'Doctor Syntax at the London Institution'. Chemieunterricht im Hörsaal. Altkolor. Aquatinta von Cruikshank um 1840, [6138] 11 x 19 cm. £50

2221. CHEMIKER:
'The Chemist / Der Chemiker'. Der Alchemist in seinem mittelalterlichen Labor sitzend facht die Glut im Kamin an. Stahlst. Teniers/Payne um 1850, [6139] 13 x 17 cm. £70

2222. CHEMIKER:
¡Eureka! Der Chemiker hat seine Brille auf einem aufgeschlagenen Folianten neben Gerätschaften abgelegt und hält prüfend ein Reagenzglas gegen das Licht. Holzstich nach O.Goldmann aus El Mundo Ilustrado um 1890, [6140] 25 x 18 cm. £50

2223. DELPHIN:
'Delphinus'. 3 versch. Delphine übereinander auf 1 Blatt. Altkolor. Kupferstich von Chapman von 1803, [6161] ca. 23 x 17 cm. £60

2224. DIAMANTENSCHLEIFER:
'A true Representation of the Diamond Cutters Wheel or Mill'. Diamantenschleifer an einer großen Schleifmaschine Kupferstich aus Universal Magazine von 1750, [6163] 19 x 24 cm. £50

2225. DIENSTBOTE:
'Der Dienstbott'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. [6166] £50

2226. DRAHTZIEHER:
'Der Dratzieher'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. [6167] £50

2227. EXOTISCHE GEWÜRZE/FRÜCHTE:
JAKASTRAUCH UND -FRUCHT und BETELNUSSSTRAUCH. Kupferstich aus Nieuhoff/Ogilby’s China um 1673, [21019] 10 x 16 cm. Auf dem vollen Folio Text Blatt. Rückseitig: Bananen- und Ananasbaum. £50

2228. EXOTISCHE GEWÜRZE/FRÜCHTE:
ROHRZUCKERPLANTAGE. Kupferstich aus Nieuhoff/Ogilby’s China um 1673, [21020] 10 x 16 cm. Auf dem vollen Folio Text Blatt. Rückseitig: Feigenbaum. £50

2229. EXOTISCHE GEWÜRZE/FRÜCHTE:
PFEFFERSTRÄUCHER. Kupferstich aus Nieuhoff/Ogilby’s China um 1673, [21021] 10 x 16 cm. Auf dem vollen Folio Text Blatt. £50

2230. EXOTISCHE GEWÜRZE/FRÜCHTE:
MUSKATNUSSBÄUME. Kupferstich aus Nieuhoff/Ogilby’s China um 1673, [21022] 10 x 16 cm. Auf dem vollen Folio Text Blatt. £50

2231. EXOTISCHE GEWÜRZE/FRÜCHTE:
ZIMTBÄUME. Kupferstich aus Nieuhoff/Ogilby’s China um 1673, [21023] 10 x 16 cm. Auf dem vollen Folio Text Blatt. £50

2232. EXOTISCHE GEWÜRZE/FRÜCHTE:
INGWERSTRÄUCHER. Kupferstich aus Nieuhoff/Ogilby’s China um 1673, [21024] 10 x 16 cm. Auf dem vollen Folio Text Blatt. £50

2233. FECHTEN:
'Fencing...'. Duell auf dem Fechtboden mit Zuschauern. Altkolor. Aquatinta von Cruikshank von 1821, [6177] 11 x 18 cm. £60

2234. GALERIE:
'Doctor Syntax at the Exhibition'. Karikatur von Doctor Syntax und Gefolge beim Besuch einer Bilderausstellung. Altkolor. Aquatintaradierung (von Cruickshank) um 1820, [6197] 11 x 19 cm. £50

2235. GALERIE:
'A Shilling well laid out. Tom and Jerry at the Exhibition of Pictures at the Royal Academy'. Elegant gekleidete Gesellschaft in der Gemäldeausstellung der Royal Academy of Arts in London. Altkolor. Aquatintaradierung von Cruickshank von 1821, [6198] 11 x 19 cm. £50

2236. GOLDSCHMIED:
'Der Gold-Arbeiter'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. [6206] £75

2237. GOLF:
(BUCH). - MR. PUNCH. Golf Stories. London, ca. 1910. 8vo. [6045] 191 SS.: 136 Holzstiche mit Golfszenen. OLwd. £85

2238. GOLF:
(BUCH). - MR. PUNCH. On the Links. London, ca. 1925. 8vo. [6046] 240 SS.: 260 Holzstiche mit Golfszenen, 1 Farb-Frontispiz. OLwd. £85

2239. HANFBEARBEITUNG:
'The Manner of Watering, Breaking and Heckling of Hemp' und 'The manner of Dressing Hemp'. Versch. Stadien der Hanfbearbeitung. Zwei Kupferstiche aus dem Universal Magazine um 1760, [6230] je ca. 11 x 18 cm. 2 Stück zus. £50

2240. HOPFEN:
‘Von dem Hopffen-Garten / wie solcher anzulegen...’. Anlegung eines Hopfenfeldes. Kupferstich aus Florinus um 1702, [15504] 12 x 18 cm. £60

2241. HUTMACHER:
'Der Hutmacher'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. [6241] £50

2242. HUTMACHER:
'Die Hutmacherkunst.' 6 verschiedene teils mehrfach gefaltete Kupfertafeln mit teils schematischen, teils schönen großen bildlichen Darstellungen der Arbeitsvorgänge bei der Herstellung von Hüten. Kompletter Abschnitt von Nollet aus 'Schauplatz der Künste und Handwerke...' von 1767 mit komplettem erläuternden Text auf 110 Seiten. 4to. [6243] Die Falttafeln ca. 20 x 30 cm groß, eine mit gering ausgefranstem hinterlegten Rand. £100

2243. ILLUMIERTE MANUSKRIPTE:
‘Ein Klostergenie’. Mönch bei der Ausmalung von Initialen in einer Handschrift. Kreidelithographie von Bertling/Lüttmann um 1840, [18200] 20 x 16 cm. £60

2244. JAGD:
'Bubalus, agrestis, rubidus, trux et ferus est Bos...'. Bullenjagd zu Pferd mit Speeren und Hunden. Kupferstich von Gallé aus Stradanus um 1590, [6244] 20 x 26 cm. £85

2245. JAGD:
'La Chasse en plaine'. Zwei Jäger mit Hund auf der Pirsch in freiem Gelände. Farblitho in der Art eines Farbholzschnitts von Nicholson von 1898, [6249] 20 x 20 cm. £60

2246. JAHRESZEITEN:
Allegorische Darstellung der vier Jahreszeiten. 4 versch. unbezeichnete Kupferstiche aus Florinus um 1702, [6250] je ca. 12 x 17 cm. 4 Stück zus. £100

2247. JUSTIZ:
'Central Criminal Court Old Bailey'. Gerichtsverhandlung im Londoner Old Bailey Gericht. Stahlst. Shepherd/Melville um 1850, [6251] 12 x 18 cm. £50

2248. KAFFEE:
'Coffee Cultivation in Guatemala, Central America'. Sammelblatt mit 8 Szenen aus Kaffeeplantagen bis zur Verladung auf ein Schiff, je ca. 7 x 11 cm. Holzstich von 1877, [6261] 31 x 23 cm. £50

2249. KAFFEE:
‘L’arbre du caffé, dessiné en Arabie’. Abbildung eines Kaffeebaumes, sowie der Frucht, der Hülse und der Bohne. Kupferstich um 1752 in Rahmenbordüre, [17408] 18 x 14 cm. £70

2250. KAFFEE:
‘Partie d’un rameau de Caffé, avec la fleur et le fruit / Feuilles de Caffé dans leur grandeur naturelle’. Zweig eines Kaffebaumes mit Blüte und Fruchtstand, sowie 2 Kaffebaumblätter. Kupferstich um 1752, [17410] 19 x 14 cm. £60

2251. KAFFEE:
‘Caffebaum, wie er in Arabien gezeichnet worden’ und ‘Stück von dem Zweige eines Caffebaumes’. 2 versch. Kupferstiche (Abbildung eines Kaffeebaumes, sowie der Frucht, der Hülse und der Bohne; Stück eines Zweiges mit Frucht und zwei Kaffeblättern). Kupferstiche um 1760, je [19144] 18 x 14 cm. 2 Stück zus. £100

2252. KAFFEE:
‘Arabische Producte: Der Coffee’. Kaffebaumzweig mit Früchten, Blüten und Blättern. Kupferstich um 1810, [19898] 14 x 9 cm. £60

2253. KAMMHERSTELLUNG:
'Der Kammacher'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. [6263] £50

2254. KARNEVAL:
'...Grand Carnival'. Maskenball mit Masken und Seiltänzer. Altkolor. Aquatinta von Cruickshank von 1821, [6264] 10 x 19 cm. £50

2255. KARTENSPIELER:
'A Game of Whist...'. Kartenspieler beim Whist im Spielzimmer. Altkolor. Aquatinta von Cruikshank von 1821, [6265] 11 x 18 cm. £50

2256. KAUFMANN:
‘De Koopman’. Kaufleute im Kontor über ihre Bücher gebeugt. Kupferstich von Luyken um 1745, auf der ganzen Textseite mit Überschrift und darunterstehendem mehrzeiligen holl. Text, 13 x 7 cm. [18199] £50

2257. KÜCHE:
'Vom Kochen insgemein...'. Blick in die Küche eines großen Herrenhauses mit zahlreichen Köchinnen bei der Zubereitung von Speisen vor der offenen Feuerstelle. Kupferstich aus Florinus von 1702, [6276] 13 x 17 cm. Auf dem vollen Folio-Textblatt. £100

2258. KÜCHE:
'Was zu einer wohlbestellten Kuchen erfordert wird...'. Blick in eine mittelalterliche Küche mit offener Feuerstelle. Kupferstich aus Florinus um 1702, [6277] 6 x 17 cm. Auf dem vollen Folioblatt, mit großer bildlicher Initiale 'E' (Küchenszene). £60

2259. KÜFER:
‘Von der Fässer-Pichung’. Faßherstellung und Schwefelung. Kupferstich aus Florinus um 1702, [6284] 13 x 18 cm. £50

2260. KÜFER:
‘Faßherstellung. Kupferstich aus Florinus um 1702, [6285] 13 x 18 cm. £50

2261. KÜFER:
'De Kuiper'. Küfer beim Ausschwefeln und Zusammenfügen von Fässern. Kupferst. aus Abraham a Santa Clara um 1740 mit holl. Text, [6286] 13 x 7 cm. £50

2262. KÜFER:
‘Das Abbinden der Fässer’. Faßherstellung. Kupferstich aus Florinus um 1702, [15501] 13 x 18 cm. £50

2263. KÜRSCHNER:
'Der Kirschner'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. [6289] £50

2264. LAMPENMACHER:
'De Blikslager op Lantaarnmaker'. Herstellung von Laternen aus Metall. Kupferstich von Luyken um 1745, auf der ganzen Textseite mit Überschrift und darunterstehendem mehrzeiligen holl. Text, 13 x 7 cm. [6292] £50

2265. LEDERBEARBEITUNG:
'Der Lederer'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. Kräftiger Abdruck. [6320] £50

2266. MEDIZIN:
‘A Surgery with a Representation and Explication of the Chirurgical Instruments’. Zwei Chirurgen inmitten zahlreicher ausgebreiteter Instrumente, zahlreicher Gefäße in Wandregalen und dreier menschlicher Modelle, eines davon ein Skelett. Kupferstich für J. Hinton für Universal Magazine ca. 1750, [20115] 19 x 22 cm. £175

2267. METALLURGIE:
'Refiners Shop'. Blick in eine metallurgische Werkstatt zur Veredelung von Metallen mit Demonstration verschiedener Arbeitsvorgänge. Anon. Kupferstich um 1770, [6071] 18 x 20 cm. £50

2268. METZGER:
'Der Fleischer'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. [6072] £75

2269. METZGER:
'De Vleesch-Houwer'. Metzger beginnt ein Rind zu zerlegen. Kupferstich aus Abraham a Santa Clara um 1740 mit holl. Text, [6074] 13 x 7 cm. £50

2270. MONATE:
Die zwölf Monate in figürlichen und allegorischen Darstellungen auf denkmalartigen Steinen vor dem Hintergrund von Szenen und Bildern typisch für den jeweiligen Monat. 12 versch. Kupferstiche aus Florinus um 1702, [6077] je ca. 12 x 18 cm. 12 Stück zus. £200

2271. MUSIK:
'Musick'. Sammelblatt mit schematischer, hochoval angeordneter Darstellung in Netzwerkform zur Tontheorie mit Notenbeispielen , ringförmig umgeben von etwa 21 Instrumenten, darunter weitere Instrumente und Instrumentalisten. Text in Englisch. Sehr dekorativer Kupferstich von Blome um 1690, [6080] insgesamt 38 x 23 cm. £100

2272. OPERNHAUS:
‘Theater della Scala, Milan - Mailand’. Stahlst. von Payne. [18187] £50

2273. OPERNHAUS:
‘The Grand Opera House, Paris’. Stahlst. London Printing and Publishing Company um 1850, [18188] 13 x 18 cm. £50

2274. OPTIKER:
'Optician'. Sammelblatt mit 2 kleineren Darstellungen von Arbeitsvorgängen, umgeben von zahlreichen Handwerkszeugen und Geräten. Text in Englisch. Holzstich um 1870, [6382] 21 x 16 cm. £50

2275. PERÜCKENMACHER:
'Der Perruquenmacher'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. Kräftiger Abdruck. [6387] £50

2276. PERÜCKENMACHER:
'Die Paruckenmacherkunst, oder, von dem Barbieren, Haarverschneiden, der Verfertigung der Manns- und Weibsparucken, dem Handel mit alten Parucken und der Baderey'. 5 verschiedene teils mehrfach gefaltete Kupfertafeln mit teils schematischen, teils schönen großen bildlichen Darstellungen zur Perückenmacherei. Kompletter Abschnitt von Garsault aus 'Schauplatz der Künste und Handwerke...' von 1765 mit komplettem erläuternden Text auf 76 Seiten. 4to. [6389] Die Falttafeln ca. 20 x 31 cm groß, einige mit Wasserrand in der äußeren Ecke. Interessante frühe Abhandlung mit vielen technischen Details. £100

2277. PFERDEAUKTION:
'A Look in at Tattersal's. Tom taking Jerry's judgment in purchasing a Prad'. Pferdeauktion bei Tattersal. Altkolor. Aquatintaradierung von Cruickshank von 1821, [6391] 10 x 18 cm. £50

2278. PFERDERENNEN:
'Les Courses'. Farblitho in der Art eines Farbholzschnitts von Nicholson von 1898, [6393] 20 x 20 cm. £60

2279. PFERDERENNEN:
‘Training’. Zahlreiche Rennpferde beim Training. Altkolorierte Aquatintaradierung von Harris nach Alken bei Ackermann von 1850, [18191] 12 x 19 cm. £85

2280. PORTRÄT:
Friedrich Chopin. Brustbild des jungen Chopin im Profil nach links. Holzstich nach Winterhalter um 1880, [6408] 17 x 13 cm. £50

2281. PORTRÄT:
Friedrich der Große unter einer Brücke sitzend mit seinem Lieblingshund Biche, in Gefahr, von feindlichen Reitern gefangen zu werden. Kreidelitho aus Borussia um 1840, [6415] 12 x 19 cm. £50

2282. PORTRÄT:
Immanuel Kant. Kreidelitho aus Borussia um 1840, [6427] 16 x 12 cm. £60

2283. PORTRÄT:
‘Friedrich II nach der Schlacht bei Leuthen’. Friedrich der Große inmitten einer Gruppe Soldaten, die eine Fackel halten. Kreidelitho von Balder bei Orell-Füssli um 1842, [19905] 18 x 13 cm. £60

2284. PORTRÄT:
‘Friedrich II. nach der Schlacht bei Collin’. Friedrich der Große auf einem Brunnen sitzend mit Wache und im Hintergrund Soldaten. Kreidelitho von Balder bei Orell-Füssli um 1842, [19906] 18 x 13 cm. £60

2285. PORTRÄT:
‘Scene aus Friedrich II. Leben’. Friedrich der Große lesend an einem kleinen Beistelltisch sitzend erhält ein Kännchen Kaffee serviert. Kreidelitho von Balder bei Orell-Füssli um 1842, [19907] 18 x 13 cm. £60

2286. POST:
'Der Postilion und Bott'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. [6452] £50

2287. RIEMENHERSTELLUNG:
'Der Riemer'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. Kräftiger Abdruck. [6462] £50

2288. ROSENKRANZHERSTELLUNG:
'Der Baterleinmacher'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. Kräftiger Abdruck. [6464] £50

2289. ROULETTE:
'The Gambling Rooms at Monte Carlo - Rien ne va plus'. Der überfüllte Spielsaal im Kasino von Monte Carlo. Doppelblattgr. Holzstich nach Beraud von 1890, [6466] 33 x 46 cm. £60

2290. ROULETTE:
'In the height of the season at Monte Carlo: An evening in the Roulette-Room of the Casino.' Großer Roulette-Saal im Spielcasino von Monte Carlo. Matter doppelblattgr. Offset-Druck von 1902 nach einer Zeichnung von Cleaver, [6467] 30 x 49 cm. £50

2291. RUDERN:
'Courses en Canot'. Rudern mit Steuermann: Trainer zu Pferd beobachtet vom Ufer aus die Ruderer. Farblitho in der Art eines Farbholzschnitts von Nicholson von 1898, [6469] 20 x 20 cm. £50

2292. SCHIESSEN:
'Le Tir à l'arc'. Dame beim Bogenschießen. Farblitho in der Art eines Farbholzschnitts von Nicholson um 1898, [6478] 20 x 20 cm. £75

2293. SCHNEIDER:
'Der Schneider'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. [6483] £75

2294. SCHREIBER:
'Der Schreiber'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. [6489] £50

2295. SCHREINER:
'De Kastemaker'. Möbelschreiner vor einem halbfertigen Schrank. Kupferstich von Luyken um 1745, auf der ganzen Textseite mit Überschrift und darunterstehendem mehrzeiligen holl. Text, 13 x 7 cm. [6490] £50

2296. SCHULE:
'The first Lecture in the Sciences of Geography and Astronomy'. Dozent erklärt 4 Studenten Globen, Sphären und Wandkarten. Kupferstich aus Universal Magazine um 1750, [6501] 19 x 22 cm. £85

2297. SEIDE:
'Der Seidensticker'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. Kräftiger Abdruck. [6521] £50

2298. SEIDE:
'The Silk Manufacture in China'. Sammelblatt mit 12 Darstellungen zur Produktion von Seide. Kupferstich aus einer engl. Enzyklopädie um 1750, [6523] 34 x 21 cm. £85

2299. SEIDE:
'Die Kunst der Seidenfärberey'. 6 verschiedene teils mehrfach gefaltete Kupfertafeln mit teils schematischen, teils schönen großen bildlichen Darstellungen der Arbeitsvorgänge bei der Seidenfärberei. Kompletter Abschnitt von Macquer aus 'Schauplatz der Künste und Handwerke...' von 1764 mit komplettem erläuternden Text auf 98 Seiten. 4to. [6524] Die Falttafeln ca. 20 x 28 cm groß. Interessante frühe Abhandlung mit vielen technischen Details. £190

2300. SEIDE:
'Graphic Illustrations of Animals, shewing their utility to Man, in their services during life and uses after death. The Silk Worm.' Sammelblatt mit einer Darstellung von Seidenraupen, Schmetterlingen und Seidenkokon, umgeben von 9 versch. Szenen von der Zucht über die Manufaktur zur Verwendung von Seide. Altkolorierte Kreidelithographie von Hawkins bei Varty um 1840, [6525] 30 x 36 cm. Eines der schönsten Blätter zur Seidenherstellung. £125

2301. SEIDE:
Seidenherstellung, von der Anzucht der Seidenwürmer bis zum Verpacken der fertigen Seidenballen, in 18 Bildern (je ca. 9 x 13 cm) auf 2 Doppelfolioblättern symmetrisch angeordnet. Zwei doppelblattgroße Kupferstiche aus Florinus um 1702, [15506] je ca. 30 x 39 cm. 2 Stück zus. £100

2302. SEILER:
'Der Seiler'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. [6529] £50

2303. SEILER:
'Rope-making'. Drei verschiedene Stufen der Seilherstellung. Großer Kupferstich von Basire bei Hinton um 1750, [6530] 22 x 34 cm. £50

2304. SHERRY:
'The Sherry Vintage in the Cerro de Obregon Vineyard, Jerez'. Sechs verschiedene Stufen der Sherryproduktion in Spanien vom Lesen der Trauben bis zur Ablieferung des Mostes. Holzstich von 1876, [6531] 33 x 23 cm. £60

2305. SIEBMACHER:
'Der Sieber'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. [6532] £50

2306. SILBERSCHMIED:
'Der Silber-Arbeiter'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. [6533] £75

2307. SILBERSCHMIED:
'De Zilversmit'. Silberschmied gießt das flüssige Metall in einen Behälter und schmiedet es. Kupferstich von Luyken um 1745, auf der ganzen Textseite mit Überschrift und darunterstehendem mehrzeiligen holl. Text, 13 x 7 cm. [6534] £75

2308. SKIFAHREN:
'Norwegian Ski- or Snow-Shoeing Racing near Christiana.' Großer Zielhang des Abfahrtslaufs mit zahlreichen Rennläufern und einer großen Zuschauermenge, heutigen Veranstaltungen sehr ähnlich. Holzstich von 1894, [6539] 32 x 22 cm. £50

2309. SOLDAT:
'Der Soldat'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. [6543] £50

2310. SPIELKARTEN:
'De Speelkaartemaker'. Spielkartenmanufaktur. Kupferstich aus Abraham a Santa Clara um 1740 mit holl. Text, [6544] 13 x 8 cm. £50

2311. SPIELKARTEN:
Blick in eine Spielkartenmanufaktur (10 x 18 cm), darunter Werkzeuge und Schablonen zum Kolorieren. Kupferstich aus New Royal & Universal Dictionary of Arts & Sciences um 1790, [6545] 30 x 18 cm. £85

2312. SPORENMACHER:
'Der Sporer'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. [6546] £50

2313. STIERKAMPF:
'Portugiesisches Stiergefecht'. 3 verschiedene Stierkampfszenen übereinander auf einem Blatt. Anon. Kupferstich (aus dem Geograph. Institut Weimar) um 1810, [6549] zusammen 20 x 15 cm. £60

2314. TABAK:
Tabakernte, Tabakspinnen. 2 versch. Kupferstiche aus Florinus um 1702, [6557] je ca. 13 x 18 cm. 2 Stück zus. £60

2315. TASCHNER:
'Der Taschner'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. [6562] £50

2316. TAUBENZUCHT:
Taubenzüchter mit Taubenhaus. Kupferstich aus Florinus um 1702, [6563] 13 x 18 cm. £50

2317. TEXTILHERSTELLUNG:
'Der Weber'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. [6585] £50

2318. TEXTILHERSTELLUNG:
'Der Tuchscherer'. Tuchmacher. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. [6586] £50

2319. TEXTILHERSTELLUNG:
'Der Bortenwircker'. Kupferstich von Weigel von 1699 mit zweizeiliger Überschrift und sechszeiligem Text unterhalb der Darstellung, insgesamt 13 x 8 cm. [6587] £50

2320. TEXTILHERSTELLUNG:
'Calico-printing'. Bedrucken und Bemalen von Baumwollstoffen in verschiedenen Stufen. Kupferstich bei Hinton um 1750, [6589] 20 x 33 cm. £50

2321. TEXTILHERSTELLUNG:
'Dye-house'. Färben von Stoffen in verschiedenen Bottichen. Großer Kupferstich bei Hinton um 1750, [6590] 20 x 33 cm. £50

2322. TRACHTEN:
HESSEN. Verschiedene Trachten aus der Schwalm auf 2 Blättern. Chromolithos von Kretschmer um 1870, [6655] je ca. 26 x 20 cm. 2 Stück zus. £50

2323. TRACHTEN:
HESSEN. Verschiedene Trachten aus Biedenkopf auf 2 Blättern. Chromolithos von Kretschmer um 1870, [6656] je ca. 26 x 20 cm. 2 Stück zus. £50

2324. TRACHTEN:
NIEDERSACHSEN. Verschiedene Trachten aus Braunschweig auf 2 Blättern. Chromolithos von Kretschmer um 1870, [6660] je ca. 26 x 20 cm. 2 Stück zus. £50

2325. TRACHTEN:
WÜRTTEMBERG. Verschiedene Trachten aus Betzingen auf 2 Blättern mit Teilansichten der Stadt im Hintergrund. Chromolithos von Kretschmer um 1870, [6666] je ca. 26 x 20 cm. 2 Stück zus. £70

2326. TRACHTEN:
BÖHMEN. Verschiedene Trachten aus Böhmen (Hayd, Eger, 3 x Pilsen) auf 5 Bll. Chromolithos von Kretschmer um 1870, [11279] je ca. 26 x 20 cm. 5 Stück zus. £85

2327. TRACHTEN:
THÜRINGEN. Verschiedene Trachten aus Altenburg auf 3 Blättern (2 vor dem Hintergrund des Altenburger Schlosses). Chromolithos von Kretschmer um 1870, [11290] je ca. 26 x 20 cm. 3 Stück zus. £70

2328. TRACHTEN:
WÜRTTEMBERG. Trachten aus Rottweil. Chromolitho von Kretschmer um 1870, [11292] 26 x 20 cm. £50

2329. TRACHTEN:
WÜRTTEMBERG. Trachten aus Ulm mit dem Rathaus im Hintergrund. Chromolitho von Kretschmer um 1870, [11293] 26 x 20 cm. £50

2330. TRACHTEN:
SCHLESWIG-HOLSTEIN. Fischersleute in Tracht. Chromolitho von Kretschmer um 1870, [16751] 26 x 20 cm. £50

2331. TRACHTEN:
LITTAUEN. Verschiedene Trachten aus Littauen auf 2 Blättern. Chromolithos von Kretschmer um 1870, [16754] je ca. 26 x 20 cm. 2 Stück zus. £70

2332. UHRMACHER:
'Doctoring Old Time'. Eine Schwarzwälder Uhr wird repariert. Doppelblattgr. Holzstich nach Roberts von 1877, [6599] 34 x 37 cm. £60

2333. UHRMACHER:
‘Watch Maker’. Kupferstich um 1805, [18207] 9 x 6 cm. £60

2334. UHRMACHER:
‘The Art of Makeing Clocks & Watches’. Uhrmacher in seiner Werkstatt mit zahlreichen Werkzeugen, Zeichnung eines elaboraten Gangwerks, Standuhr, etc. Kupferstich für J. Hinton für Universal Magazine 1748, [20114] 19 x 22 cm. £140

2335. VERGOLDER:
'Gilding'. Einblick in drei Vergolder-Werkstätten. 3 versch. Kupferstiche aus einer engl. Enzyklopädie um 1790 auf 1 Blatt, [6601] insgesamt 27 x 16 cm. £50

2336. VIOLINIST:
'Der Violinspieler'. Violinspieler am Rundbogenfenster mit Violine, Flöte und Noten. Radierung von Kühn nach Slingelant um 1880, [6605] 24 x 19 cm. £75

2337. WEIN:
'Spring in Portugal: Trimming the Grape Vines.' Schneiden der Rebstöcke im Frühjahr im portugiesischen Weingut. Holzstich von 1873, [6620] 22 x 30 cm. £60

2338. WEIN:
Anlage und Bestellung des Weinbergs (4), Weinlese, Weinkeltern, Weinprobe im Keller. Folge von 7 versch. Kupferstichen aus Florinus um 1702, [11254] je ca. 13 x 18 cm. Alle jeweils auf dem vollen Blatt. 7 Stück zus. £250

2339. WEIN:
‘Ducatus Andegauensis, Aniou’. Altkolorierte Kupferstichkarte des Loire Weinanbaugebiets um Angers und Saumur von G. Blaeu um 1640 mit zwei Wappenkartuschen, Meilenzeiger und dekorativer Kartusche mit Weinmotiven, [17832] 38 x 50 cm. £125

2340. WEIN:
3 verschiedene kleine Holzschnitte aus Seb. Münsters La Cosmographie von 1552 mit Weinstöcken und Trauben, [18194] je ca. 8 x 7 cm. Auf dem vollen Blatt. 3 Stück zus. £50

2341. Williamson.
'A Book-Sale at Sotheby's Auction-Room'. Sotheby’s London, auctioneer Mr. Hodge. Attended by around 14 named London Bookdealers, Quaritch, Reeves, Walford, Molini, etc. Large woodengraving by Williamson 1888 [6358] 31 x 45 cm. Uncoloured. £70

2342. WISSENSCHAFT:
Experimentelle Wissenschaften: 'The First Lecture in Experimental Philosophy'. Dozent vor Versuchsanordnungen und einigen Studierenden. Kupferstich aus Universal Magazine von 1748, [6398] 18 x 23 cm. £85

2343. ZUCKER:
'De Suikerbakker'. Der Zuckerbäcker trägt große Zuckerhüte aus seiner Manufaktur. Kupferstich aus Abraham a Santa Clara um 1740 mit holl. Text, [6643] 13 x 8 cm. £50

2344. ZUCKER:
'A Representation of the Sugar-Cane and the Art of Making Sugar'. Zuckerrohrpflanzen, Zuckermühle und Sudhaus mit Arbeitern. Kupferstich aus Universal Magazine von 1749, [6644] 19 x 23 cm. £60

2345. ZUCKER:
'Die Kunst des Zuckersiedens'. 10 verschiedene teils mehrfach gefaltete Kupfertafeln mit teils schematischen, teils schönen großen, bildlichen Darstellungen der Arbeitsvorgänge bei der Zuckerherstellung (Zuckermühle, Zuckersiederei). Kompletter Abschnitt von Duhamel du Monceau aus 'Schauplatz der Künste und Handwerke...' von 1765 mit komplettem erläuternden Text auf 85 Seiten. [6645] 4to. Die Falttafeln ca. 20 x 28 bzw. 20 x 38 cm groß. Interessante frühe Abhandlung mit vielen technischen Details. £200

2346. ZUCKER:
'Sugar Mill'. Zwei versch. Zuckermühlen auf 1 Blatt übereinander. Kupferstich aus einer engl. Enzyklopädie um 1790, [6647] insgesamt 29 x 18 cm. £50

2347. ZUCKER:
'Die Zuckerrohrernte'. Schlagen und Abtransport des Zuckerrohrs im Busch. Chromolitho bei Walther um 1890, [6651] 27 x 36 cm. £50

2348. ZUCKER:
‘Moulin a Sucre’. Schnitt durch eine Zuckermühle, von vier Pferden getrieben, mit darüberstehenden Erläuterungen zu 12 Buchstaben. Kupferstich in Rahmenbordüre um 1759, [17409] 19 x 15 cm. £50

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